Explore World Metal
Featured Album
Ride the Flatline (feat. Jami Morgan & Code Orange) (2024)
Featured Groove Metal Album
Evidence (2023)
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Featured Heavy Metal Album
Agamemnon (2025)
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124 bands found
Chicago's Dead of Winter specialize in the slow, crushing intersection of death and doom, conjuring the grim weight of a Great Lakes winter that never quite ends. Heavy, deliberate, and suffocating in all the right ways.
Providence, Rhode Island's Death Doom Thrash wear their influences as a banner rather than a disguise, threading death/doom's weight through the New England underground since 2018. The name is a manifesto: expect slow grinding heaviness with occasional bursts of thrash-driven urgency.
Cincinnati's Debauch has been mining the sepulchral depths of death/doom since 2011, where impossibly slow tempos and cavernous production create a sense of ritualistic despair. Ohio weight pressed into wax.
Seattle's Decaying Crypt leans into the death/doom tradition with a murky, sepulchral heaviness, emerging in 2021 from a city that's always supported the heaviest and most atmosphere-drenched corners of metal. Slow, suffocating, and unhurried in the best possible way.
Boston's Deicidal Twilight work in the slow, catastrophic tradition of death/doom — a subgenre that suits New England's long winters and the bleak, gothic weight of the region's cultural history. Formed in 2017, they cultivate an oppressive atmosphere through tempos that drag like granite, layering death metal ferocity beneath the doom's suffocating, slow-rolling darkness.
Pittsburgh's Demiurge have been dragging death metal through the swamp since 2017, fusing the city's rust-belt heaviness with the slow, suffocating weight of doom. Their death/doom approach leans into cavernous riffs that collapse under their own mass, burying the listener in glacial tempos and guttural menace.
San Antonio's Devil Mass emerged in 2022 dragging the full weight of death/doom and black metal into the same suffocating ritual. Their sound is a slow-moving catastrophe — cavernous, funereal, and utterly uncompromising in its devotion to darkness.
From the small South Carolina town of Lyman, Doriyah has carved out an imposing blackened death-doom sound since forming in 2021, the isolation of the Upstate region evident in the claustrophobic density of their music. The band pulls from every dark tradition in their genre crossroads — the ferocity of black metal, the devastating weight of doom, the blunt-force trauma of death metal — and synthesizes them into something that feels genuinely oppressive. In a state with a smaller but intensely dedicated metal underground, Doriyah represent the kind of uncompromising artistry that thrives in obscurity.
Out of Birmingham, Alabama — a city with its own long history of heavy music — Drood have been crafting death/doom metal since 2017 that leans into the slower, more mournful qualities of the form. Their sound carries the oppressive atmosphere that Birmingham's industrial heritage seems to lend to music, with death metal's brutality filtered through doom's bottomless patience.
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World Metal Index indexes hundreds of World heavy metal bands across every subgenre — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, grindcore, sludge, stoner metal, and more. Browse heavy metal bands by genre, city, or state.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.