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327 bands found
Thūn from London deliver doom and death metal under an Old English-styled name since 2021. Their compositions channel Anglo-Saxon linguistic heritage through crushing, historically weighted heaviness from the British capital.
Tiamat formed near Stockholm, Sweden in 1987 under the original name Treblinka, playing raw black/death metal before renaming after the Babylonian deity and releasing their debut Sumerian Cry in 1990. Under the direction of guitarist and vocalist Johan Edlund, the band underwent a series of dramatic stylistic transformations: Clouds (1992) introduced gothic influences into their death-doom foundation, and Wildhoney (1994) is widely regarded as a landmark of progressive and atmospheric doom metal that earned the band festival slots at Dynamo and Wacken. Later albums including A Deeper Kind of Slumber (1997) and Judas Christ (2002) moved toward gothic rock and alternative sounds. Tiamat are recognized as pioneers of both gothic metal and atmospheric death metal.
Tidejord blend melodic doom and post-metal under a Danish name meaning 'tidal earth,' creating expansive compositions that ebb and flow like the Nordic seas since 2023. Their sound captures the vast, oceanic quality of Scandinavian post-metal.
San Diego's Tideless weave death-doom density with shoegaze texture, producing a sound that's simultaneously crushing and immersive — churning riffs suspended in reverberant haze. The band has been refining this submerged aesthetic since forming in 2016.
Pittsburgh's Tides of Accretion lean into the slow and sepulchral, pairing doom metal's deliberate decay with death metal's tonal darkness for music that feels geological in its patience and mass. The project formed in 2020 and reflects Pittsburgh's long affection for heavy, underground extremity.
Allentown's Tile have been grinding out sludge-doom since 2007 with a noise-inflected intensity that earns their Bandcamp handle "tilenoise" — a grimy, feedback-soaked take on the genre that favors atmosphere built from punishment rather than melody. Their longevity speaks to a genuine commitment to the uglier end of the heavy underground.
Pennsylvania's Tim Black operates in the deep, narcotic end of doom and stoner metal, building slow-rolling heaviness from fuzz-drenched riffs and a deliberate, almost ritualistic pacing since 2017. The project taps the meditative quality that distinguishes the best stoner doom from mere plodding.
Time to Burn from Clermont-Ferrand have been crafting atmospheric sludge, doom metal, and post-hardcore since 2004, making them one of the Auvergne's longest-running heavy acts. Over two decades at the foot of the Chaîne des Puys volcano chain — literally a landscape of fire — their incendiary name has proven prophetically apt.
Timeless Kingdom is a raw black/doom metal project from Germany, formed in 2020. They merge the rawness of black metal with doom's crushing weight in timeless compositions.
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World Metal Index indexes hundreds of World heavy metal bands across every subgenre — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, grindcore, sludge, stoner metal, and more. Browse heavy metal bands by genre, city, or state.
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Yes — browse World hardcore punk bands alongside heavy metal bands. We cover hardcore punk, crust punk, D-beat, grindcore, metalcore, and all heavy music subgenres.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.