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178 bands found
Leeds trio Dinosaur Pile-Up have been delivering massive, fuzz-drenched alternative rock since forming in 2007, channeling the spirit of Pixies, Weezer, and Nirvana through walls of distortion. Frontman Matt Sherring's gift for melody shines through the noise on albums like 'Celebrity Mansions' and 'Growing Pains,' which pair pop hooks with grunge-weight heaviness. Their music became ubiquitous in action sports media and video games, bringing their anthemic sound to a wide audience.
Dogstar are a guitar-driven alternative rock trio whose story has always been grounded in friendship and unpretentious band chemistry. Bret Domrose's voice and guitar give the songs their melodic front, Robert Mailhouse's drums keep the arrangements direct, and Keanu Reeves' bass sits as a steady, warm anchor rather than a celebrity distraction. The band's first run produced Quattro Formaggi and Our Little Visionary, records shaped by the college-rock and grunge-era language of ringing guitars, mid-tempo push, and emotionally plainspoken songwriting. After a long dormancy, Somewhere Between the Power Lines and Palm Trees reintroduced Dogstar with a cleaner sound but a similar emphasis on sturdy songs over studio spectacle. The newer material has a relaxed confidence: guitars shimmer or thicken as needed, vocals stay understated, and the rhythm section favors feel over flash. Dogstar's music is not aggressive in a metal sense, but it carries a hard-strummed, 1990s-rooted weight that connects it to the broader guitar-rock continuum. The band's best songs work because they feel lived-in, modest, and built to survive outside the mythology around the people playing them.
Don Broco are a Bedford rock band whose career has moved from post-hardcore-adjacent beginnings into a playful, muscular, and genre-bending form of modern British rock. Formed in 2008, the group built early momentum through energetic live shows before Priorities and Automatic turned them into a major force in UK alternative rock. Technology, Amazing Things, and Nightmare Tripping expanded their personality further, mixing huge choruses, electronic polish, funk grooves, pop instincts, nu-metal bounce, and heavier riffs. Don Broco fit rock and metal-adjacent scope through their post-hardcore roots, heavy touring context, and recurring use of metallic guitar weight, even when the songs are too colorful to sit inside one heavy genre. The band works because it treats contrast as a strength: glossy hooks crash into absurd humor, aggressive sections snap into danceable rhythms, and Rob Damiani's vocals carry both swagger and self-awareness. Don Broco's music can be ridiculous, precise, and genuinely heavy in the same track. Their best songs make modern rock feel elastic, turning stylistic restlessness into a recognizable identity rather than a lack of direction.
Dorothy are a Los Angeles hard rock band fronted by vocalist and songwriter Dorothy Martin, whose voice gives the project its mix of grit, soul, and arena-sized force. Emerging in the mid-2010s, the band drew attention with a self-titled EP and the full-length ROCKISDEAD, which framed Martin's vocals inside bluesy riffs, swaggering rhythms, and modern rock production. 28 Days in the Valley, Gifts from the Holy Ghost, and later work broadened the emotional range, adding gospel, Southern rock, spiritual themes, and a stronger sense of personal recovery without abandoning the heavy guitar foundation. Dorothy fit hard-rock scope through blues rock riffing, big vocals, and a touring presence connected to contemporary mainstream rock and metal audiences. The songs are built around impact: stomps, claps, riffs, and choruses that leave room for Martin to push from smoky restraint to full-throated release. What separates Dorothy from simple retro rock is the emotional center. The music can be glamorous and polished, but it is strongest when faith, survival, heartbreak, and defiance all move through the same loud, blues-rooted frame.
Dream Boy is a Los Angeles guitar-rock project whose available recordings point toward a concise, melody-first take on punk-rooted alternative rock. The 2018 demos "Agate Eyes" and "Shanghai Blue" present the band in a raw but focused form, favoring direct song structures, crunchy guitars, and a tone that reaches back to 1990s underground rock without turning into pure revivalism. The music sits in the space where punk economy, college-rock looseness, and power-pop melody overlap: short enough to feel immediate, melodic enough to linger, and rough enough to keep the emotional edges visible. Dream Boy's identity is less about a long public discography than a specific sound and atmosphere, with the recordings suggesting a band interested in hooks, nervous energy, and guitar texture rather than heavy production. The project's best qualities are in its compactness: songs that feel like sketches, but sketches with enough character to make the listener imagine a full set of noisy, scrappy, 90s-styled rock songs around them.
Drug Church are an Albany, New York post-hardcore band whose music combines punk pressure, grunge-stained guitar hooks, and Patrick Kindlon's dry, cutting vocal perspective. Beginning as a side project in the early 2010s, the band grew into one of the most distinctive names in modern punk-adjacent rock through releases such as Paul Walker, Hit Your Head, Cheer, Hygiene, and Prude. Drug Church fit punk scope through post-hardcore, melodic hardcore, and punk rock, but their appeal also comes from the way they smuggle big alternative-rock choruses into songs that still feel abrasive and suspicious of easy sentiment. The guitars often sound thick and jangling at the same time, the rhythm section keeps a hard forward push, and Kindlon's lyrics turn everyday disappointment into sharply observed scenes. They are not a nostalgia act, though they understand the value of 1990s texture and hardcore economy. Drug Church's best songs feel like walking away from an argument with better lines arriving too late: catchy, annoyed, funny, bruised, and full of motion.
Ego Kill Talent are a Brazilian rock powerhouse from Sao Paulo, founded in 2014 by former Sepultura drummer Jean Dolabella and guitarist Theo van der Loo. Their name, shortened from 'too much ego will kill your talent,' reflects a philosophy that prioritizes musical substance over rockstar posturing. The band's dense, riff-heavy sound has earned them tours supporting Foo Fighters and Queens of the Stone Age, establishing them as one of South America's most internationally recognized rock acts.
Lexington, Kentucky's Emarosa have undergone one of the most dramatic sonic transformations in post-hardcore history, evolving from a chaotic screamo act into a polished pop-rock outfit. Under vocalist Bradley Walden's tenure, albums like 'Relativity' and '131' embraced R&B-influenced vocal runs and sleek production that pushed far beyond their hardcore origins. The band's willingness to completely reinvent themselves with each album makes them impossible to pin down.
Emery formed in Rock Hill, South Carolina in 2001 and became one of the most beloved bands in the post-hardcore and screamo movements of the 2000s. The vocal interplay between Toby Morrell's screams and Devin Shelton's clean singing on albums like 'The Question' and 'In Shallow Seas We Sail' created an emotionally devastating dynamic that resonated deeply with fans. Their ability to write genuinely catchy songs within a chaotic framework kept them relevant across the genre's golden era.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.