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Hands of Eternity (2024)
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No Cross No Crown (2018)
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Ad Astra (2025)
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14 bands found
Badflower formed in Los Angeles in 2013 and quickly established themselves as one of alternative rock's most unflinchingly honest bands, with frontman Josh Katz addressing depression, addiction, and societal dysfunction with raw candor. Their hit 'Ghost' became a rock radio staple, and their debut 'OK, I'M SICK' earned critical praise for its willingness to confront darkness head-on. The band's dynamic range spans from whispered vulnerability to explosive, arena-filling rock anthems.
Tokyo's BAND-MAID subvert expectations with a jarring contrast between their maid-cafe aesthetic and the ferocious hard rock and progressive metal they deliver with jaw-dropping technical skill. Guitarists Kanami and vocalist/guitarist Miku lead a quintet whose albums like 'Unseen World' and 'Conqueror' have earned them a massive international following and packed venues worldwide.
Founded by Zakk Wylde in Los Angeles in 1998 after his legendary tenure as Ozzy Osbourne's guitarist, Black Label Society channel southern-fried heaviness through Wylde's signature pinch harmonics and biker aesthetic. Albums like 'Stronger Than Death' and 'Mafia' deliver crushing riffs alongside surprisingly tender piano ballads, showcasing the duality that defines Wylde as a musician. The 'BLS' brand has become a lifestyle as much as a band, with a global chapter system of devoted fans.
Black Stone Cherry make heavy Southern hard rock that feels rooted in blues phrasing, family-band chemistry, and modern radio punch. Chris Robertson's gravelly voice and thick guitar tone sit at the center, but the band's identity also depends on Ben Wells's stage-wire energy, John Fred Young's hard-swinging drums, and a rhythm section that keeps the grooves physical. Their self-titled debut introduced a mix of muscular riffs and storytelling hooks, while Folklore and Superstition, Kentucky, Family Tree, The Human Condition, and Screamin' at the Sky kept refining the balance between blues-rock warmth and heavier arena impact. The songs often move with classic-rock confidence, but the production and choruses hit with post-grunge and alternative-metal weight. Even their ballads tend to carry grit rather than polish for polish's sake. Black Stone Cherry sound best when the riffs have room to breathe, the drums lean forward, and Robertson's melodies turn hardship, pride, and survival into something built for a loud crowd.
Black Veil Brides reignited glam metal theatricality for the Hot Topic generation, pairing Andy Biersack's commanding stage presence with anthemic, dual-guitar-driven metal that owes as much to Kiss and Motley Crue as it does to modern metalcore. Albums like 'Wretched and Divine' and 'Vale' cemented them as one of the most polarizing yet commercially successful rock acts of the 2010s.
Blacklight Vice are a five-piece heavy rock band from Southampton, formed in late 2019 and built around a direct, riff-first approach. Their sound draws from modern hard rock and metal, pairing raunchy guitar tone with thick rhythms, clean-to-raw vocal shifts, and a live-show identity aimed at impact rather than polish for its own sake. Early singles such as "For The Thrill" and their cover of "Them Bones" introduced a group comfortable with both swaggering rock hooks and heavier, dirtier edges. The band's later material, including "Vultures," "Midnight Queen," "Locked In," and "Blood In The Teeth," pushed that identity further into punchy, compact songs with big choruses and muscular grooves. Blacklight Vice have also developed through steady gigging around the UK's hard rock circuit, supporting heavier touring acts and shaping their reputation as a loud, sweat-driven live band. Their music is rooted in the old idea that rock songs should move bodies first, but it carries enough modern metal weight to keep the attack sharp.
Blessed by a Broken Heart is a Montreal, Quebec band founded in 2003 by Tyler Hoare, beginning as a metalcore act before pivoting dramatically to a 1980s glam metal aesthetic following the addition of shred guitarist Sean Maier. Their third album Feel the Power, released on Tooth & Nail Records, charted on the Billboard Heatseekers Albums and Christian Albums charts. The band broke up in 2013 amid label disputes but reunited for appearances including a 2023 set at Furnace Fest.
Bloody Hammers is a gothic doom duo from Transylvania County, North Carolina, formed in 2012 by singer-songwriter-multi-instrumentalist Anders Manga and keyboardist Devallia, his wife. Named after a Roky Erickson song, the project channels Black Sabbath's heaviness through a gothic and occult rock prism, placing it alongside Ghost and Uncle Acid & the Deadbeats in the early 2010s occult rock revival. After signing to Napalm Records in 2014, the duo released a consistent run of albums through the decade, including Black Magic (2016), The Summoning (2019), and Songs of Unspeakable Terror (2021).
Boy Hits Car formed in 1993 in the Los Angeles area with a goal of making melodic heavy music that could survive the force of a high-energy live show. The band developed a sound they called "LoveCore," combining alternative metal, hard rock, world-music accents, emotional lyrics, and the dramatic vocal presence of Cregg Rondell. Their independent debut My Animal set the foundation, but the 2001 self-titled album on Wind-up brought them wider attention, especially through songs like "I'm A Cloud" and "LoveFuryPassionEnergy." The band's music often moves between tribal percussion, 12-string acoustic textures, distorted guitar surges, and cathartic choruses, giving their heavier moments a spiritual and communal tone rather than pure aggression. Later albums such as The Passage, Stealing Fire, and All That Led Us Here continued refining their mix of uplift, turbulence, and groove. Boy Hits Car have remained active across decades through touring and independent releases, sustaining a cult following around emotionally intense performances and an unusually warm take on alt-metal.
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