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Formed in Lewisham, South London, in 1979, The Business are one of the definitive bands of the British Oi! movement, founded by vocalist Micky Fitz and guitarist Steve Kent and closely associated with the working-class street punk scene that emerged in the wake of punk's first wave. Their debut album Suburban Rebels (1983) remains a cornerstone of the genre, and the band was notable within the Oi! scene for openly opposing racism and political extremism throughout their career. They remained active across four decades until Fitz's death from cancer in December 2016.
The Chats formed on Queensland's Sunshine Coast in 2016 and became a modern punk phenomenon by keeping everything short, blunt, and unmistakably Australian. Their early EPs captured a raw high-school-band energy, but "Smoko" turned the group into an international name with a song that was funny, specific, and instantly repeatable. High Risk Behaviour and Get Fucked proved there was more than one viral joke in the tank, packing songs like "Pub Feed," "Identity Theft," "The Clap," "6L GTR," and "Struck by Lightning" into a style the band has often framed as shed rock. The Chats fit punk scope directly: fast tempos, minimal fuss, snotty delivery, and lyrics about work, boredom, petty trouble, drinking, food, and everyday absurdity. They draw from classic punk and Australian pub rock without sounding nostalgic or polished. The band's best material succeeds because it feels immediate. The riffs are simple, the choruses are obvious in the best way, and the attitude suggests that overthinking would ruin the point.
The Damned are a London punk rock band whose first run helped establish the recorded history of UK punk before the group expanded into gothic rock, psychedelia, and theatrical dark pop. Formed in 1976 by Dave Vanian, Brian James, Captain Sensible, and Rat Scabies, they were the first British punk band to release a single, New Rose, and the first to release a full studio album, Damned Damned Damned. That early work is fast, sharp, and mischievous, driven by James's guitar writing, Scabies's explosive drumming, Sensible's presence, and Vanian's dramatic voice. The Damned fit accepted scope directly through punk rock, and later through gothic rock and post-punk. Albums such as Machine Gun Etiquette, The Black Album, Strawberries, Phantasmagoria, and later releases show a band far less one-dimensional than punk history summaries sometimes imply. They could be comic, savage, romantic, and eerie, often with a taste for 1960s garage and horror imagery. The Damned's importance is twofold: they helped launch UK punk as a recorded force, then proved that punk musicians could mutate into darker, stranger forms without losing personality or bite.
The Drowns make blue-collar punk rock and roll that treats street-punk urgency and classic rock swagger as the same conversation. View From the Bottom and Under Tension established the band as a rough, melodic outfit built around shouted choruses, working-class storytelling, and guitars that favor bite over polish. Lunatics gave the songwriting more confidence, splitting vocal personality between Aaron "Rev" Peters' raspier attack and Andy Wylie's more melodic delivery while keeping the band's political and everyday-life concerns up front. Blacked Out is the fullest version of their sound, recorded again with producer Ted Hutt and packed with boogie-woogie roots, glam-stomp energy, bovver-rock swing, and '77-style anthem writing. Songs like "1979 Trans Am," "Just the Way She Goes," "Ketamine & Cola," and the title track show how naturally they can move from rowdy hooks to lived-in detail. The Drowns are not chasing nostalgia as a costume. Their songs feel like modern barroom punk built by record collectors, touring lifers, and players who understand that a simple chorus only works when the band hits it with conviction.
Formed in Stockholm in 1994 by Nicke Andersson — then the drummer in Entombed — and Dregen of Backyard Babies, The Hellacopters began as a side project but became one of the most important Swedish rock bands of the 1990s, fusing the Detroit garage-punk of the MC5 with the riff vocabulary of AC/DC and the energy of the Ramones. Classic records including Supershitty to the Max! (1996) and By the Grace of God (2002) helped define the action rock and garage rock revival movements, and the band is considered alongside The Hives as one of Sweden's most influential rock exports. After breaking up in 2008, they reformed in 2016 and have continued releasing and performing since.
The Hitmen began in Sydney in the late 1970s around vocalist Johnny Kannis and guitarist Chris Masuak, drawing energy from the same high-voltage underground that produced Radio Birdman and other Australian punk-era rock bands. Originally appearing as Johnny and the Hitmen, the group quickly became a vehicle for tough, Detroit-influenced rock, punk momentum, and sharp-edged guitar work. Their self-titled 1981 album and the follow-up It Is What It Is captured a band that could be raw and direct without losing melodic bite, mixing swaggering originals with a sense of rock-and-roll lineage. After the first era wound down, Kannis and Masuak revived the spirit under the Hitmen DTK name, leaning further into hard rock attack and live intensity. Later reunions kept the catalogue active and connected the band to newer audiences interested in Australian underground rock history. The Hitmen's appeal is rooted in brash guitars, forceful vocals, and a streetwise bridge between punk urgency and hard rock confidence.
The Howling bring an electrifying blend of punk rock energy and electronic elements to their performances, combining beats and samples with aggressive guitar-driven songwriting to push the genre into new territory. Their approach to merging electronic production with live punk instrumentation creates a high-energy sound designed to captivate audiences in both club and festival settings.
The Mainliners are a Hollywood punk band with a blunt, fast, Southern California sound rooted in early hardcore, skate punk, and rough-edged rock-and-roll attitude. The lineup of Cash Mathieu, Colin Sick, Adrian Morris, and Jackson Fox gives the band a compact four-piece attack: shouted vocals, quick guitar figures, driving bass, and drums that keep the songs short, direct, and physical. Their early run moved quickly from local shows into wider punk visibility, with releases such as The Mainliners From Hell and Mainliner Motel presenting a style that nods to classic Los Angeles punk without treating it like museum material. Songs like "No Mas Tequila" emphasize speed, humor, and a wiry sense of danger, while other tracks hit with a more stripped-down hardcore charge. Their identity is built around immediacy: minimal gloss, maximum motion, and a live-band feel that makes the recordings sound like they came from a crowded room rather than a carefully isolated studio.
The Meffs are an Essex punk duo made up of Lily Hopkins and Lewis Copsey, and their sound is built for maximum impact with minimal personnel. Since forming in 2019, they have used guitar, drums, shared urgency, and sharp political writing to create frantic British punk that feels both stripped down and fully charged. Releases such as Broken Britain, Broken Brains, and What a Life pull from garage punk, classic protest punk, and contemporary social frustration, with songs like "Stand Up, Speak Out," "No," "Clowns," and "Wasted on Women" showing the band's directness. The Meffs fit punk scope without qualification: short songs, hard-hit drums, overdriven guitar, anti-establishment bite, and live energy that prizes speed over polish. Their two-piece format gives the music a lean quality, but it does not feel small. Hopkins' vocal attack and Copsey's forceful drumming fill the space with agitation and swing. The band's appeal is practical and immediate: say the thing clearly, hit the chorus hard, and leave scorch marks before anyone can tidy the message up.
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