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Let You Go (2024)
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The Bestiary (2025)
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Halo (2017)
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138 bands found
Grandmas House are a Bristol punk and post-punk band whose music turns jagged guitar lines, blunt bass movement, and wiry vocal hooks into compact bursts of pressure. Formed in late 2018, the group came through Bristol's active independent scene with a live-first reputation, bringing riot grrrl spirit, grunge weight, surfy melodic shapes, and post-punk repetition into songs that feel scrappy without feeling careless. Early singles and EPs such as Grandmas House, Who Am I, and Anything For You show how the band can shift between clipped agitation, sarcastic bite, and choruses that land quickly. Their sound is lean rather than polished: the drums hit hard, the bass often carries the muscle, and the guitars leave room for vocals that sound tense, confrontational, and playful by turns. Grandmas House fit punk scope through both attitude and structure, with songs built for rooms where sweat and immediacy matter more than studio sheen. Their appeal comes from the way they make familiar influences feel communal and alive, turning queer punk energy, Bristol grit, and a sharp sense of humor into music with real forward motion.
Hathors are a Swiss noise-rock trio from Winterthur who deliver a raw, visceral blend of grunge, punk, and hardcore that feels like it was recorded in a collapsing building. The band's stripped-down approach channels the confrontational energy of Melvins and early Mudhoney through a distinctly European sensibility. Their albums showcase a relentless commitment to volume and distortion as artistic statements rather than mere sonic choices.
Haywire is a Boston hardcore project centered on Austin Sparkman, surfacing in 2023 with a sound that connects classic Boston hardcore aggression to rough-edged punk rock catchiness. Conditioned for Demolition introduced short, blunt songs built on gang vocals, hard downstrokes, simple but forceful riffs, and a street-punk sense of forward motion. The band's identity quickly expanded beyond pure hardcore with material like For Better Or For Worse, where melodic hooks, sing-along choruses, and even ballad-like turns sit beside mosh-ready tracks. That contrast is part of the appeal: Haywire can sound primitive and confrontational, but the songs often reveal a strong ear for compact pop structure under the noise. The Boston context matters musically because the band draws from a lineage of no-frills regional hardcore, yet the writing is more flexible than scene shorthand suggests. Haywire's short history has been marked by rapid touring, high-energy live response, and a growing catalog that treats hardcore as a base for rowdy, emotionally direct punk songs with enough melody to stick after the pit clears.
Heart to Gold is a Minneapolis punk band built on the explosive chemistry between guitarist/vocalist Grant Whiteoak, drummer Blake Kuether, and bassist Sid Johnson, who grew up together. Their brand of emotive, melodic punk channels the urgency of post-hardcore through anthemic song structures designed for basement shows and festival stages alike. The band's raw energy and confessional songwriting have made them standouts in the Twin Cities' vibrant punk scene.
Manchester's Hot Milk burst onto the UK rock scene with an infectious mix of pop-punk energy, synth-laden hooks, and punk attitude. The dual-fronted band, led by vocalists Han Sherlock and Jim Shaw, delivers anthemic songs that channel Paramore and Fall Out Boy through a distinctly British sensibility. Their releases 'Are You Feeling Alive?' and 'A Call To The Void' position them as one of the most exciting acts in the new wave of UK pop-punk.
I, Doris formed in London in 2017 as a collective punk and post-punk project built around wit, feminist anger, and lived adult experience rarely centered in guitar music. On stage, the members all perform as Doris, turning the band into a shared identity rather than a conventional personality vehicle. Their music has been described through terms like mummycore, menopausecore, kitchen punk, and riot pop, but beneath the jokes is a sharp, melodic punk band with a strong sense of purpose. Songs such as "HRT," "In The Ladies," "Wonderwomen," and "Superduperdoris" use bright hooks, gang vocals, bass-driven grooves, and playful arrangements to address sexism, motherhood, aging, healthcare, solidarity, and everyday resistance. The band's connection to the wider DIY punk and LOUD WOMEN community gives their work a communal charge, with songs often designed to be funny, cathartic, and politically pointed at the same time. I, Doris are strongest when they make serious frustrations sound like a party starting in the next room: irreverent, inclusive, and unafraid to turn domestic detail into punk-rock ammunition.
IDLES formed in Bristol in 2009 and became one of the most prominent modern post-punk bands by turning repetition, abrasion, and communal shouting into a public language of grief, anger, and solidarity. Brutalism introduced the band's blunt force, but Joy as an Act of Resistance made them a wider cultural presence, with Joe Talbot's vocals confronting masculinity, class, immigration, loss, and empathy over Adam Devonshire's bass and the twin-guitar scrape of Mark Bowen and Lee Kiernan. Ultra Mono sharpened the attack into something almost percussive, while Crawler and Tangk showed more space, groove, vulnerability, and studio experimentation. IDLES are not metal, but they fit the accepted post-punk, punk, and noise-rock scope through volume, aggression, and the physical intensity of their live shows. Their best songs work because the slogans are not separate from the sound; the repetition becomes part of the argument. IDLES can be messy, tender, funny, and confrontational in the same set, making heaviness feel social rather than purely musical. The result is punk as pressure, conversation, and release.
illScarlett are a Mississauga, Ontario band whose music connects Canadian punk rock to ska, reggae rock, and pop-minded alternative hooks. Formed in the early 2000s by musicians who met around the Clarkson area, the group developed a reputation through energetic shows, Warped Tour exposure, and songs that carried both beachy rhythm and punk drive. Their breakthrough single "Who's Got It" became especially visible in Canada after being tied to the 2007 FIFA U-20 World Cup, but the band had already built its foundation with independent releases and a loyal live following. illScarlett fit punk scope through ska punk and punk rock, even when their sound leans into reggae fusion or radio-friendly rock. The guitars are usually bright and rhythmic rather than metallic, while the rhythm section favors bounce, offbeat accents, and singalong momentum. Albums such as All Day With It, 1UP!, and later work show a group comfortable crossing between party energy, melodic choruses, and sharper punk pulses. illScarlett's appeal comes from their easy movement between scenes: they can feel at home with ska fans, pop-punk listeners, and Canadian alternative rock audiences while keeping a loose, sunlit personality that remains distinctly theirs.
Jimmy H Doolittle brings a raw, unfiltered approach to heavy rock that draws from the intersection of hard rock and punk energy. The project delivers riff-driven, no-nonsense heavy music with a DIY ethos that prioritizes visceral impact over polish.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.