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Industrial black and doom metal band from Helsinki, Finland. Woods of Belial merges mechanical industrial harshness with the extremity of black and doom metal in a cold, hellish fusion.
Funeral doom and death metal band from Öhringen, Germany formed in 2021. Woods of Grief crafts slow, oppressive compositions that merge the crushing weight of funeral doom with death metal's guttural ferocity.
Woods of Ypres was founded in Windsor, Ontario, Canada in 2002 by David Gold, the band's sole constant member across a revolving cast of over twenty collaborators. Beginning as a melodic black metal act, Gold progressively steered the project toward gothic doom on a series of albums that tracked a deeply personal artistic evolution. Gold died in a car accident on December 21, 2011; Earache Records posthumously released the completed Woods 5: Grey Skies and Electric Light (2012), which won the Juno Award for Metal/Hard Music Album of the Year in 2013, cementing Gold's legacy as a singular and tragic figure in Canadian heavy music.
Word of Unmaking have been crafting funeral doom from somewhere in New England since 2012, working in a subgenre that demands patience, restraint, and an unflinching willingness to dwell in desolation. Their music moves at the glacial pace funeral doom requires, building atmosphere through weight and repetition rather than variation or momentum. For listeners who want metal that feels genuinely oppressive, this is a band worth seeking out.
Heavy metal, doom, and crust band from Leeds, England formed in 2020. Workshed fuses the power of heavy metal and the weight of doom with crust punk's raw energy.
Emerging from Florida in 2020, Worm began as a raw black/death/doom entity before evolving into something considerably more elaborate — later recordings layer symphonic arrangements over the suffocating weight of doom and the corrosive grain of black and death metal. The band's trajectory from crude burial-ground aesthetics toward orchestrated darkness is one of the more striking transformations in recent underground extreme metal.
York, Pennsylvania's Worm March has been building a catalogue of death/doom metal since 2019, channeling the mid-Atlantic's capacity for grey, grinding heaviness. Their approach leans into the suffocating intersection of slow death metal riffing and true doom pacing, creating a dense and oppressive atmosphere.
Boston's Wormwood — not to be confused with their Illinois namesake — emerged in 2015 with a sound rooted in sludge and doom metal, drawing on the Northeast's long tradition of heavy, miserable riffing. Their music carries the grim weight that characterizes the best of the city's underground heavy scene.
Seattle's Worn Away have been an interesting shape-shifter since their 2013 formation, moving from doom and stoner metal origins toward a harder-edged crossover thrash and death metal sound over time. That evolution mirrors a broader restlessness in the Pacific Northwest underground, where genre boundaries are treated more as starting points than destinations.
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World Metal Index indexes hundreds of World heavy metal bands across every subgenre — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, grindcore, sludge, stoner metal, and more. Browse heavy metal bands by genre, city, or state.
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Yes — browse World hardcore punk bands alongside heavy metal bands. We cover hardcore punk, crust punk, D-beat, grindcore, metalcore, and all heavy music subgenres.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.