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Ride the Flatline (feat. Jami Morgan & Code Orange) (2024)
Featured Groove Metal Album
Evidence (2023)
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Featured Heavy Metal Album
Agamemnon (2025)
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Browse World Metal Bands
7 bands found
Erupting from the Pittsburgh hardcore scene in 2015, 156/Silence fuse the poetic intensity of post-hardcore with the aggression of mathcore and metallic hardcore. Named after a measure count on a piece of sheet music, the band channels chaotic energy through dissonant riffs and visceral screams. Their atmospheric yet punishing sound has made them torchbearers for Pittsburgh's resurgent heavy music community.
Better Lovers emerged as a supergroup from the wreckage of Every Time I Die, uniting vocalist Greg Puciato (ex-Dillinger Escape Plan) with ETID guitarist Jordan Buckley, drummer Clayton Holyoak, and bassist Stephen Micciche. Their 2023 debut 'God Made Me an Animal' channels chaotic mathcore fury and experimental edge into one of the heaviest new projects of the decade.
Chamber are a Nashville metalcore band formed in 2017, known for a violent, dissonant style that the group has framed as psychotic mosh metal. Their music pulls from metalcore, mathcore, death metal, hardcore, and industrial-tinged noise, creating songs that feel unstable even when the riffs are tightly arranged. Early EPs such as Hatred Softly Spoken, Final Shape/In Search of Truth, and Ripping / Pulling / Tearing led into full-length records including Cost of Sacrifice and A Love to Kill For, each sharpening the band's taste for odd-time punishment and abrupt mood shifts. Chamber's guitars scrape and twist rather than simply chug, while the drums often move between blast-driven chaos and breakdown weight. The vocals are harsh and desperate, matching lyrics that lean into fear, obsession, violence, and emotional ruin. Nashville is not always foregrounded in national conversations about metallic hardcore, but Chamber make a strong case for the city's heavier underground. Their songs are not designed for passive listening. They are tense, hostile, and physically demanding, but the disorder is organized. Chamber matter because they bring mathcore danger back into metalcore without losing the pit-centered force that makes the music hit in a room.
Long Goodbye are a Durham County metalcore band whose music sits in the harsher edge of current UK hardcore. Emerging with the 2024 release i used to dream of drowning, the group quickly became associated with The Coming Strife Records and a new wave of British bands that combine metallic hardcore, mathcore tension, and chaotic emotional weight. Their songs are short, violent, and tightly wound, with jagged riffs, sudden tempo changes, collapsed grooves, and vocals that sound less like performance than rupture. Long Goodbye fit metal and hardcore scope directly through metalcore and UKHC, especially in the way their music uses breakdowns, dissonance, and panic-stricken rhythm to create pressure. Tracks such as "autolisis," "cauterising incisions," and "endlessly repairing a dying format" show a band interested in discomfort as much as impact. The production keeps the sound raw enough to feel close while still letting each shift land with force. Long Goodbye's appeal is that they do not smooth out their influences. The music feels ugly, anxious, and cathartic, carrying the spirit of heavy hardcore into a more fractured, modern shape built for no-barrier rooms and violent release.
Emerging from the ashes of The Chariot's sister bands in the early 2000s Solid State Records scene, Douglasville, Georgia's Norma Jean have been one of metalcore's most consistently experimental and uncompromising acts for two decades. Albums like 'Bless the Martyr and Kiss the Child' and 'O' God, the Aftermath' helped define the chaotic, mathcore-influenced end of the metalcore spectrum, while later works like 'Polar Similar' showed their evolution into atmospheric, textured heaviness. Cory Brandan Putman's unhinged vocal approach and the band's refusal to repeat themselves have made them a touchstone of creative heavy music.
Protest the Hero formed in Whitby, Ontario in 1999 and became one of progressive metal's most distinctive modern bands by combining technical precision, post-hardcore urgency, and theatrical vocal writing. Kezia introduced them as young musicians with unusual ambition, framing complex songs inside a concept record that still moved with punk velocity. Fortress pushed the technical side harder, with frantic guitar lines, knotty rhythms, and Rody Walker's high, elastic vocals turning songs like "Bloodmeat," "Sequoia Throne," and "Palms Read" into genre landmarks. Scurrilous, Volition, Pacific Myth, and Palimpsest showed a band willing to change process and subject matter while retaining its core identity: dizzying musicianship, wit, melodic nerve, and lyrics that often carry more bite than the polished performances suggest. Protest the Hero fit metal scope directly, but they also remain connected to post-hardcore through speed, vocal urgency, and a refusal to sound emotionally detached. Their best work makes complexity feel like adrenaline rather than homework. The songs twist constantly, yet the choruses and vocal arcs keep the listener attached to the human stakes inside the technique.
Formed in Morris Plains, New Jersey, in 1997, The Dillinger Escape Plan are widely credited with defining mathcore as a genre, their 1999 debut Calculating Infinity establishing a template of ferocious rhythmic complexity, dissonance, odd time signatures, and barely controlled live violence that influenced an entire generation of extreme music. Across six studio albums — including Ire Works (2007) and One of Us Is the Butcher (2016) — the band progressively incorporated melody, electronics, and jazz-influenced experimentation without surrendering the underlying aggression. They disbanded in December 2017 after a farewell run of shows, leaving behind one of the most uncompromising and influential catalogs in 21st-century heavy music.
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