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2 bands found
Coral Springs, FL, US · 1997–present · active
New Found Glory formed in Coral Springs, Florida in 1997 and became one of pop punk's central bands by making emotional directness, fast tempos, and hardcore-informed rhythm feel inseparable. Nothing Gold Can Stay and the self-titled major-label album introduced the band's core style, while Sticks and Stones turned "My Friends Over You" into a genre landmark. Catalyst, Coming Home, Not Without a Fight, Radiosurgery, Resurrection, Makes Me Sick, Forever and Ever x Infinity, and later records show a band with unusual endurance, still writing around friendship, heartbreak, self-belief, and scene loyalty decades after their start. Chad Gilbert's guitar attack and Jordan Pundik's high, unmistakable vocals helped define the sound, while the band's affection for hardcore gave many songs a heavier punch than their bright choruses might suggest. New Found Glory fit punk scope directly and also connect to easycore through breakdown-aware moments and heavy touring ties. Their importance lies in consistency and influence. They helped standardize a version of pop punk where sincerity, speed, and big hooks could coexist with mosh-ready energy.
CA, US · 2020–present · active
No Pressure are an American pop punk band formed in 2020 around Parker Cannon of The Story So Far, Pat Kennedy of Light Years, and Harry Corrigan of Regulate. The project arrived with a deliberately direct purpose: fast, compact, hook-heavy punk that returns to the urgency of late-1990s and early-2000s pop punk without trying to modernize every edge. Their self-titled EP and LP are short, punchy, and built around quick tempos, bright guitar progressions, shouted backing vocals, and Cannon's familiar sandpaper melody. Compared with The Story So Far's more expansive later work, No Pressure feels intentionally stripped down, favoring two-minute songs that move before they have time to overthink themselves. The band also carries a hardcore-adjacent energy through members' backgrounds and live presentation, giving the pop punk hooks more bite than polish. Lyrically, the material tends toward frustration, relationships, restlessness, and the familiar feeling of being stuck inside one's own reactions. No Pressure matter because they make pop punk feel immediate again. The appeal is not reinvention; it is compression, speed, and conviction, delivered by musicians who know exactly how much a sharp chorus and a fast downstroke can still do.

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