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Actin' Up (2023)
Featured Stoner Metal Album
The Mountain Of Gold (2018)
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Featured Progressive Metal Album
Death Atlas (2019)
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Browse World Metal Bands
135 bands found
I See Stars pioneered the electronicore subgenre from Warren, Michigan, starting in 2006 by fusing post-hardcore screams and metalcore breakdowns with aggressive EDM production. Their albums 'New Demons' and 'Treehouse' pushed the boundaries of how electronic music and heavy guitar could coexist, creating a blueprint that countless bands would follow. The band's ability to make dubstep drops feel as natural as breakdowns set them apart as genuine innovators in the scene.
Ice Nine Kills transformed from a Boston-area pop-punk band into horror metal's most creative storytellers under vocalist Spencer Charnas' vision. Their concept albums 'The Silver Scream' and 'The Silver Scream 2: Welcome to Horrorwood' dedicate each track to a different horror film, weaving theatrical metalcore with cinematic references and elaborate music videos. Charnas' gift for merging slasher-film narratives with genuinely heavy music has made INK one of the most successful concept-driven bands of the streaming era.
If Not For Me is a four-piece metalcore band from Harrisburg, Pennsylvania that blends crushing breakdowns with pop-melodic sensibility and post-hardcore urgency. Vocalist Patrick Glover leads the band through emotionally charged songs that draw inspiration from the full spectrum of heavy music, from August Burns Red-style technicality to Bring Me the Horizon's genre-fluid ambition. Their evolution through several sonic eras and lineup changes has refined their sound into something distinctly their own.
InMe formed in Brentwood, Essex in 1996, originally playing under the name Drowned before becoming one of the more distinctive British alternative rock and metal bands of the early 2000s. Fronted by Dave McPherson, the band broke through with Overgrown Eden, an album that paired post-grunge heaviness, nu-metal-era dynamics, and unusually melodic, emotionally open songwriting. Songs such as "Underdose," "Firefly," "Crushed Like Fruit," and "Neptune" helped establish a fanbase drawn to the band's mix of vulnerability and heavy guitar work. White Butterfly refined the melodic side, while Daydream Anonymous and Herald Moth showed increasing progressive ambition, with more technical arrangements and a broader emotional range. Later albums including The Pride, Trilogy: Dawn, and Jumpstart Hope continued that evolution, often funded and sustained through a close relationship with dedicated fans. InMe's longevity comes from refusing to freeze themselves in their early sound. Their music has moved through alternative metal, emo-tinged rock, progressive structures, acoustic material, and heavier riffs while keeping McPherson's voice and introspective writing at the center.
Kingdom of Giants make modern metalcore that favors motion, atmosphere, and emotional scale as much as blunt force. Earlier albums such as Every Wave of Sound, Ground Culture, and All the Hell You've Got to Spare established a foundation of screamed vocals, melodic guitar lines, and post-hardcore urgency, while Passenger refined the band into a more spacious and cinematic version of itself. Dana Willax's harsh vocals give the songs their pressure point, but the clean hooks, electronic programming, and open guitar passages are just as important to the identity. Their writing often feels like a series of forward pushes: tight verses, glowing synth textures, wide choruses, and sudden breakdowns that pull the songs back to the floor. The heavier sections are measured rather than chaotic, leaving room for atmosphere to build before impact. Kingdom of Giants fit into the same modern metalcore lane as bands that treat ambience and melody as structural pieces, not decoration. Their best work turns conflict into movement, using contrast to make both the melodic peaks and the breakdowns feel earned.
L.S. Dunes is a post-hardcore supergroup featuring Anthony Green of Circa Survive, Frank Iero and Travis Stever from Coheed and Cambria, and Tim Payne of Thursday. Their 2022 debut 'Past Lives' channels the raw urgency of early 2000s post-hardcore with Green's unmistakable vocal intensity soaring over urgent, melodic punk arrangements. The project represents a convergence of some of the most distinctive voices in the scene's history.
Lady Radiator were a New Jersey-born post-hardcore and progressive rock band whose short first run left a larger trace than their discography suggests. Formed by Kenny Collette and Adam Kobylarz with a full-band lineup, they released Bounce Energy Hear Me Out through Emerald Moon Records in 2007 and followed it with Party With Villains before going quiet. Their music came from the same mid-2000s ecosystem that rewarded nervous guitar lines, high-register vocals, sudden rhythmic pivots, and emotionally overheated arrangements, but Lady Radiator sounded stranger and less formulaic than many peers. Songs such as "Box Turtle, Magnificent Isn't She," "Ready Explode," and "Ships Are For Sailing Not For Leaving" mix post-hardcore urgency with theatrical melody, mathy guitar motion, and a loose sense of chaos that can feel both playful and desperate. A later streaming and TikTok resurgence brought the band back into discussion, with new activity reframing them as a cult act rather than a forgotten one. Their appeal is the sense of songs trying to outrun their own structures again now.
Marseille's LANDMVRKS have become one of France's most explosive metalcore exports, blending ferocious breakdowns with massive clean-vocal choruses that rival arena rock hooks. Their albums 'Fantasy' and 'Lost in the Waves' demonstrate a knack for crafting anthemic, emotionally charged metalcore that connects across language barriers. Frontman Florent Salfati's seamless shifts between guttural screams and soaring melodies give the band a dynamic range few in the genre can match.
Los Angeles' letlive. burned bright as one of the most incendiary post-hardcore bands of the 2010s, driven by Jason Aalon Butler's unhinged stage presence and the band's genre-defying fusion of hardcore, punk, and soul. Albums like 'Fake History' and 'The Blackest Beautiful' earned them a rabid cult following before Butler went on to form Fever 333.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.