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138 bands found
Fullerton, CA, US · 1978–present · active
Orange County punk legends Social Distortion, led by the gravel-voiced Mike Ness since 1978, are one of the longest-running and most respected punk rock bands in history, having essentially invented the country-punk hybrid that countless bands have since adopted. Their 1990 self-titled album and its hit 'Ball and Chain' brought their unique blend of punk, rockabilly, and outlaw country to a mainstream audience, while earlier records like 'Mommy's Little Monster' are cornerstones of California punk. Ness's hard-lived authenticity and the band's timeless, working-class songwriting have earned Social Distortion an almost mythical status in punk rock.
Finley, NSW, AU · 1989–present · active
Spiderbait are an Australian rock band from Finley, New South Wales whose music pulls punk velocity, hard rock riffs, grunge fuzz, pop oddity, and playful experimentation into a distinctly unruly identity. Formed in 1989 by Janet English, Kram, and Damian Whitty, the trio carried a rural outsider energy into the Australian alternative boom, releasing records that could be noisy, goofy, heavy, catchy, and strange without feeling calculated. Albums such as The Unfinished Spanish Galleon of Finley Lake, Ivy and the Big Apples, Grand Slam, and Tonight Alright show a band comfortable jumping from thrash-like early punk bursts to radio-ready hooks and hard-driving rock. Their version of Black Betty became a major chart success, but Spiderbait's deeper appeal lies in the chemistry of the original trio and the refusal to choose one lane. They fit accepted scope through hard rock, punk rock roots, and alternative rock. Kram's drumming and vocals bring manic momentum, English's bass and voice add melodic contrast, and Whitty's guitar keeps the sound sharp. Spiderbait matter because they made Australian alternative rock feel loose, heavy, humorous, and unmistakably local, proving that weirdness and mass appeal did not have to cancel each other out.
Bristol, England, GB · 2020–present · active
Split dogs are a Bristol punk'n'roll band formed around vocalist Harry Atkins and guitarist Mil Martinez, with Suez Boyle and Chris Hugall helping lock the group into a raw, hard-gigging unit. The band's roots go back to a desire to strip rock music back to its basic charge: loud guitars, short songs, fast tempos, and a refusal to make the music feel polished or algorithm-friendly. Their self-titled 2024 album and 2025 follow-up Here To Destroy frame that approach clearly, delivering garage-rock attack, street-punk bluntness, and old-school rock and roll swagger in compact bursts. Split dogs' songs feel built for small rooms as much as bigger punk stages, with rasped vocals, unfussy riffs, and rhythm-section urgency carrying the point. Their sound draws from classic punk and glammy rock toughness without becoming nostalgia. It is direct, physical, and impatient, focused on live force and the communal release of a noisy room.
London, England, GB · 1975–present · active
Steve Jones is a London guitarist, singer, songwriter, and radio personality best known as the guitarist whose blunt, thick rhythm sound helped make the Sex Pistols the central band of UK punk. After early activity with Paul Cook in pre-Pistols groups, Jones moved into guitar as the Sex Pistols took shape in 1975, bringing a direct, powerful style that owed as much to glam and hard rock as to punk's emerging minimalism. His playing on Never Mind the Bollocks, Here's the Sex Pistols is deceptively simple: huge chords, tight overdubs, aggressive downstrokes, and a tone that gave the record its muscular force. After the Pistols' collapse, Jones continued through the Professionals, solo albums, session work, and collaborations with artists across punk, hard rock, and classic rock. He fits accepted scope through punk rock and hard rock. Jones's importance is that he made punk guitar sound massive without making it ornate. The attitude was reckless, but the recorded parts were solid, memorable, and perfectly arranged for impact. His work helped define the idea that punk could be crude in spirit while still sonically powerful, a lesson countless guitar bands absorbed afterward.
Simi Valley, CA, US · 1989–present · active
Strung Out are a Simi Valley, California punk band whose music fuses skate punk speed, melodic hardcore urgency, and metal-influenced guitar precision. Formed in 1989 and long associated with Fat Wreck Chords, the band became a key example of how 1990s melodic punk could grow more technical without losing its emotional and physical charge. Albums such as Another Day in Paradise, Suburban Teenage Wasteland Blues, Twisted by Design, An American Paradox, Exile in Oblivion, Blackhawks Over Los Angeles, Agents of the Underground, Transmission.Alpha.Delta, Songs of Armor and Devotion, and Dead Rebellion show a group constantly balancing speed, melody, and darker metallic edge. Strung Out fit accepted scope directly through punk rock, skate punk, and melodic hardcore. Jason Cruz's vocals bring a worn, poetic intensity, while the guitars often move with the precision of metal rather than the loose strum of simpler punk. The rhythm section keeps the songs fast and fluid, built for both skate-video velocity and live-room release. Strung Out's importance lies in occupying a niche and deepening it. They made technical melodic punk feel dramatic, durable, and emotionally serious without surrendering the pace that first defined the style.
Bath, England, GB · 1980–present · active
Subhumans are one of the defining English anarcho-punk bands, formed in Wiltshire in 1980 and later associated with Bath through their ongoing releases and activity. Led by Dick Lucas, the band moved quickly from demo material into a run of early EPs and albums that became core documents of political UK punk. The Day the Country Died, From the Cradle to the Grave, Worlds Apart, and EP-LP mixed fast, jagged punk with unusually long-form writing, sharp social criticism, and lyrics aimed at war, state power, consumerism, conformity, surveillance, and ecological collapse. Subhumans split in the mid-1980s, with members later active in related projects, but returned for later phases of touring and recording. Internal Riot and Crisis Point showed that the band's anger and wit had not dulled, updating their themes without abandoning the raw attack that made the early records last. Their music remains urgent, articulate, and deeply tied to DIY punk ethics.
Long Beach, CA, US · 1988–present · active
Sublime turned a messy collision of punk, reggae, ska, dub, surf rock, and hip-hop into one of alternative music's most recognizable sounds. Bradley Nowell's songwriting gave the trio its center: melodic, conversational, funny, bleak, and frequently self-destructive, with hooks that could feel casual until they stayed lodged for days. Eric Wilson's bass lines carried much of the music's personality, moving between rubbery reggae pulse, walking punk drive, and dub-heavy space, while Bud Gaugh's drumming kept the songs loose without letting them drift apart. 40oz. to Freedom captured the band's raw local energy and crate-digging instincts, Robbin' the Hood pushed deeper into home-recorded weirdness, and the self-titled album brought sharper songwriting into mainstream view after Nowell's death. Songs such as "Date Rape," "What I Got," "Santeria," and "Wrong Way" show how easily the band could switch from party-band levity to desperation, sarcasm, or street-level storytelling. Sublime's best work feels improvised and lived-in, but the blend was deliberate: punk supplied the teeth, reggae supplied the sway, and Nowell's voice made the contradictions sound natural.
Hamburg, DE · 2013–present · active
Hamburg punk collective Swiss & Die Andern deliver politically charged, crossover-inflected German-language punk rock that blends hardcore aggression with hip-hop attitude and DJ scratching. Frontman Swiss leads the band through a prolific catalog — from 'Grosse Freiheit' to 'Erstmal zu Penny' — that tackles social issues with both fury and irreverent humor, earning them chart success and a fervent live following across Germany.
Adelaide, SA, AU · 2018–present · active
Teenage Joans are an Adelaide duo formed in 2018 by Cahli Blakers and Tahlia Borg, making bright but emotionally sharp punk-pop with a playful surface and heavier emotional core. Their sound is compact and immediate, using fuzzy guitar, punchy drums, dual vocal energy, and hooks that feel casual at first but carry real bite. Early releases and relentless local activity helped them become one of South Australia's most visible young punk acts, with Taste of Me and later material showing their skill at pairing youthful imagery with anxiety, grief, frustration, and self-questioning. Their debut album The Rot That Grows Inside My Chest expanded the band's palette while keeping the two-piece urgency intact, moving through fast punk bursts, melodic indie-rock shapes, and choruses built for shouting back from the crowd. Teenage Joans' writing often uses humor and color to make difficult feelings more approachable, giving their music a distinctive mix of sweetness, noise, and emotional abrasion.

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