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Voice of Baceprot is an all-female Indonesian metal trio from rural West Java who perform in hijab while channeling the fury of Rage Against the Machine, Slipknot, and Lamb of God. Formed as schoolgirls in 2014, VOB made history as the first Indonesian band to play Glastonbury and have performed at Wacken Open Air, earning global media attention from the BBC, NPR, and The New York Times for their boundary-shattering cultural significance.
Columbus, Ohio grindcore and death metal band formed in 2016, fusing the genre's velocity and crust punk's anarchic rawness with death metal's low-end devastation. Rooted in Columbus's scrappy DIY underground, Voice of Crows produce music with both political sharpness and physical force, treating brevity and brutality as equally essential tools.
Stavropol's Voice of Hastur, named after the Lovecraftian Great Old One, channels cosmic horror into atmospheric black metal from Russia's North Caucasus region. Their compositions evoke the unknowable dread of their namesake through dissonant, sprawling arrangements.
Voice of Hate is a death metal/grindcore band from Torrent, Spain, active since 2003. With over two decades of activity, they are one of the more established extreme metal acts in the Valencian underground.
Voice of Reason is a brutal death metal/grindcore band from Paris, France, formed in 2017. They deliver punishing extreme metal combining brutal death metal's heaviness with grindcore's chaotic velocity.
Kharkiv's Voice of Solitude crafts atmospheric black metal infused with profound melancholy and introspective themes. Their immersive compositions layer reverb-drenched tremolo melodies over atmospheric foundations, creating vast soundscapes of emotional isolation from Ukraine's second city.
Voiceless Dissonance is a death/thrash/groove metal band from Rio Grande do Sul, Brazil, whose debut EP Vox: I appeared in 2026, introducing tracks such as "It's on That Damn Plate" and "They Form a Sea of People." The band emerged as a newly formed act with a sound drawing on the aggressive Brazilian extreme metal tradition of the state.
Varnamo's Voiceless Location delivers punishing death metal and deathcore with a modern, production-heavy approach. Their breakdown-laden compositions channel the aggression of the deathcore tradition through a Swedish extreme metal lens.
Khimki's Voiceless Void pairs doom metal's crushing weight with gothic metal's melancholic beauty, creating compositions that move between heavy despair and darkly romantic atmosphere. Their patient, emotionally charged approach recalls the sorrowful grandeur of early Paradise Lost and Type O Negative.
Saint Petersburg's Voices of Grief inhabits the desolate territory where black and doom metal converge, crafting mournful compositions that balance blast-driven fury with glacially paced passages of crushing sorrow. Their sound mirrors the grey, rain-soaked atmosphere of Russia's northern capital.
Formed in Cleveland in 2021, Voices of the Damned fuse the punishing weight of death metal with groove metal's rhythmic swagger, building songs around thick, locked-in riffs and a relentless sense of momentum. The Cleveland scene's blue-collar aggression runs through everything they do, grounding the brutality in something physical and immediate. They're a young band arriving fully formed.
Boston's Voices of the Dead have been cultivating their strain of death metal since 2012, drawing on the genre's old-school foundations while keeping the execution tight and modern. Their music carries the weight of the New England underground — cold, deliberate, and uncompromising in its commitment to the craft. Over a decade in, they remain one of Boston's quietly reliable death metal acts.
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Formed in 2017 in Eagle, Colorado, Void Alchemy work within atmospheric black metal's wide canvas — long-form compositions that let texture and space do as much work as riffs, building toward moments of overwhelming density before pulling back into something quieter and more contemplative. The Colorado mountains are an unavoidable frame of reference here, vast and indifferent in the way the best atmospheric black metal tends to feel. They're a project concerned with creating sustained emotional environments rather than simply piling on extremity.
South Carolina's Void Blight arrived in 2024 playing blackened death metal — a style that takes the ferocity of death metal and wires it through black metal's corrosive atmosphere, producing something caustic and unforgiving. Being one of the newer entries in the US blackened death scene means they're building from a deep template, but their early output suggests a band with a clear sense of what they want to destroy. A fresh but already focused voice in a crowded field.
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World Metal Index is an index of heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the metal scene.