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AMENRA "Vanuytsel 7"" (2021)
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119 bands found
Não Inação is a crossover thrash trio from Mauá whose debut EP Saúde Mental Deteriorada packs five tracks of politically charged aggression into under eight minutes, drawing equally from São Paulo hardcore punk and classic thrash. Tracks like "Falta de Ar" and "Desespero" hit themes of mental deterioration and social pressure with the blunt economy the genre demands.
Rooted in the northeastern underground scene, O Cão deliver a direct and uncompromising brand of crossover that draws on the combined experience of guitarist and vocalist Hugo Medeiros, bassist and vocalist Eddie Cheever, and drummer Átila Mesquita. The trio has built up a catalog across three releases — Demonstrando, Devorados pelo Cão, and Original Espanta Crente Style — each leaning hard into the abrasive, no-frills energy that defined 1980s crossover thrash.
Orgasmo de Porco bring the chaotic spirit of 1980s American crossover to a distinctly Brazilian underground setting, with Caverna's barked vocals riding atop the palm-muted thrashing of Paulinho and the locked-in rhythm section of Lobo and De Cia. Their 2013 debut "My Mind is a Mess" established their irreverent, full-throttle approach, and 2018's "Voltamos mijados e putos" — later named a Bandcamp Album of the Day — proved they only got tighter with time. Released through Läjä Records and Cianeto Discos, their records sit comfortably alongside classic D.R.I. and Municipal Waste without ever sounding derivative.
One of the most enduring crossover/thrash acts from the Serra Gaúcha region, Ossos fuse the aggressive tempo of hardcore with heavy thrash riffs in a style forged through decades of relentless live activity. Their 2018 album Caos em Mim was followed by Contos do Necrotério, cementing a reputation as one of southern Brazil's most committed names in the crossover underground.
P.E.O.R — the name standing for 'Por El Odio Reacción' (Reaction Through Hate) — are a crossover thrash and death metal band from Rosario, Argentina's second-largest city and a place with a long, scrappy DIY metal tradition. Formed in 2015 and built around the core of Gonzalo Gamboa (vocals and bass), Alejandro Laudanno (guitar), Lucas Manzón (guitar), and Gonzalo Acevedo (drums), the band hit their stride quickly with two substantial releases that showcase a command of the crossover thrash idiom laced with genuine death metal ferocity. Their 2015 debut, 'Por El Odio Reacción,' announced the band as a serious proposition: twelve tracks of accelerated, hardcore-influenced thrash with death metal overtones, clocking in around thirty minutes of barely controlled aggression. The album even includes a cover of Argentine rock legends SUMO, a nod to the broad musical literacy that underpins their sound. Their 2017 follow-up, 'Exterminio de Almas,' went deeper and darker — thirteen tracks recorded between June and July 2017 at 312 Estudio, with mixing and mastering by Juancho Huerta at Auditiva Records. The album opens with a Charles Bukowski quote and unfolds as a bleak social commentary, with lyrics addressing hypocrisy, institutional corruption, and systemic disillusionment — themes that resonate acutely in Argentina's turbulent political climate. The production has the controlled rawness ideal for the genre, and the dual-guitar attack from Laudanno and Manzón gives the songs a punishing, layered quality. Rosario's metal scene has always operated somewhat in the shadow of Buenos Aires but tends to breed tighter-knit, more fiercely independent bands as a result — P.E.O.R fit that mold precisely, building their audience through relentless live work in the region and connections with the broader Argentine thrash underground.
Paradoxo carry on the northeast Brazilian tradition of raw, street-level crossover thrash, delivering hoarse vocals over fizzing drums and fast, dirt-coated guitar riffs that reach back to the sleazy underground of the 1980s. Their Sociedade EP (2018) established their sound with tracks like "Invasão" and "Massa de Manobra," packing nineteen minutes of manic thrash urgency.
Pigmachine were a short-lived São Paulo crossover thrash outfit whose members — Glauco on bass and vocals, Murillo Leite on guitar, and Fabio Moyses on drums — had previously played together in Apoleon. The band left behind a self-titled demo from late 1992, the "Nervum" split compilation with Apoleon in 1993, and the posthumously released "SP Punk / Studio Outtakes" in 1996.
Podrera have been a fixture of the Brasília underground since the late 1990s, playing a direct and aggressive brand of crossover that pulls equally from thrash metal, hardcore, and punk. Their discography spans the 1998 demo Mundo Imundo through to the full-length O Inferno Cada Vez Mais Perto de Você (2018), with lyrics consistently targeting political and social targets.
Poison the Preacher is a thrash metal, crossover, and hardcore punk band from Bogotá, Colombia, formed in 2021. The band blends raw hardcore aggression with old-school thrash principles and released their debut full-length "Vs the World" in 2025 through Concreto Records. Their catalog also includes several singles and a split release from 2022–2023.
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