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Formed in Tulsa, Oklahoma, in 2000, The Agony Scene emerged from the Christian metalcore underground, initially drawing comparisons to Zao and Overcome before signing with Solid State Records. Their Roadrunner Records debut The Darkest Red (2005) broadened their audience with a punishing metalcore sound threaded with melodic death metal riffing and vocalist Mike Williams' raw delivery. The band released Get Damned on Century Media in 2007, went dormant for years, and returned with Tormentor in 2018 before announcing a fifth album in 2025.
Minneapolis' The Angle Obscure have been carving out a space between metalcore's emotional force and progressive metal's structural ambition since 2009, building songs that shift between crushing aggression and intricately arranged melodic passages. They're a product of a Twin Cities scene that has long prized musical craft alongside intensity.
The Black Goo is a thrash metal/metalcore band from Bremen, Germany, formed in 2022. They fuse thrash metal's speed with metalcore's dynamic breakdowns.
The Burial Chamber from Granollers near Barcelona deliver metalcore from the Catalan industrial belt since 2012. Over a decade of output, their sepulchral name has driven compositions that balance aggressive breakdowns with the melodic sensibility of the Barcelona satellite scene.
The Clockwork from Madrid blend thrash metal with metalcore precision, creating mechanically tight compositions since 2006. Nearly two decades of activity from the Spanish capital have produced a refined hybrid of old-school thrash velocity and modern metalcore structure.
The Conflict Within from Ipswich deliver groove metal and metalcore with the internal-struggle intensity their introspective name demands since 2013. Over a decade from the Suffolk port town has produced compositions that wrestle with personal turmoil.
Out of Friendswood, Texas, The Crypt Alive have been working the fertile intersection of melodic death metal and metalcore since 2012, anchoring Scandinavian melodic influence to the punishing energy of American metalcore. Their Houston-area roots give the music a particular intensity — a region that has long pushed its heavy bands to go harder and mean it.
Sarasota, Florida's The D.O.O.D. have been forging a hard-hitting hybrid of groove metal and metalcore since 2014, built on crushing mid-tempo riffs and punishing breakdowns. Their sound channels the thick, head-down heaviness of groove metal's pocket-locked chug while keeping the intensity and vocal aggression of metalcore firmly in the mix. They're a standout on the Florida underground scene, delivering the kind of focused brutality that rewards repeat listening.
Lubbock's The Dead See occupy the harsh borderland between metalcore and sludge metal, where punishing breakdowns collide with the oppressive drag and dissonance of sludge. Formed in 2007, they've spent nearly two decades refining a sound that captures the desolation of the West Texas flatlands — sparse, heavy, and relentless. Their Bandcamp presence reflects a band that has stayed true to that bleak vision without compromise.
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World Metal Index indexes hundreds of global heavy metal bands across every subgenre — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, grindcore, sludge, stoner metal, and more. Browse heavy metal bands by genre, city, or state.
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Yes — browse global hardcore punk bands alongside heavy metal bands. We cover hardcore punk, crust punk, D-beat, grindcore, metalcore, and all heavy music subgenres.
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World Metal Index is an index of global heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the global metal scene.