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Masters of Morbidity (2022)
Featured Power Metal Album
No Grave But The Sea (Deluxe Edition) (2017)
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Featured Melodic Death Metal Album
Everything's Wrong (2018)
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3 bands found
Fat Dog are a London band whose post-punk comes with the pressure of a deranged dance floor rather than detached cool. Emerging from the city's underground live circuit, the group built a reputation before their debut album WOOF. by turning shows into frantic, sweat-heavy events where synths, drums, guitars, shouted vocals, and absurd humor all pushed toward overload. Their music draws from dance-punk, industrial pulse, klezmer-like melodic turns, and noisy rock abrasion, with Joe Love's writing often favoring repetition and escalation over conventional verse-chorus neatness. Tracks such as "King of the Slugs," "Running," "All the Same," and "I am the King" show a band interested in physical reaction first: the bass throbs, the electronics lurch, and the vocals seem to lead a procession that could fall apart at any second. Fat Dog fit the accepted punk and post-punk scope because their heaviness is rhythmic and nervous rather than metallic. The appeal is collective momentum, a sense that the song is less performed than detonated in public with gleeful menace.
Heartworms is the South London project of Josephine Orme, a post-punk artist whose music is stark, theatrical, and tightly controlled. Emerging from the Windmill-adjacent London guitar scene, Heartworms quickly developed a distinctive presence built on military rhythms, gothic atmosphere, icy guitar lines, and vocals that can move from a low, severe command to sudden, anxious force. The project fits post-punk scope clearly, but it is not simply revivalism. Songs such as "Consistent Dedication," "May I Comply," and material from A Comforting Notion use minimal space, repetition, and dark melodic hooks to create pressure, often suggesting discipline, dread, obsession, and ritual. Heartworms' sound draws from goth, post-punk, darkwave, and art-rock traditions while still feeling tied to the current wave of UK bands that value angular movement and live intensity. The arrangements are often economical, letting drums and bass set a hard spine while guitar and electronics add shadows around the edges. What makes Heartworms compelling is the tension between elegance and threat. The music feels carefully arranged, but never passive, and Orme's voice gives it a human volatility that keeps the darkness from becoming merely decorative.
Viagra Boys formed in Stockholm in 2015, drawing members from punk, hardcore, garage, and underground rock backgrounds into a band that sounds loose, abrasive, and oddly danceable. Their early EPs led into Street Worms, a debut full-length built on pulsing bass, saxophone blurts, deadpan vocal delivery, and satirical portraits of modern masculinity and self-destruction. Welfare Jazz widened the frame with country-ish detours, sleazy grooves, and sharper character studies, while Cave World pushed their post-punk toward paranoid social commentary and heavier conceptual focus. Later material kept the band's mix of absurdity and menace intact, showing how flexible the formula could be without losing its ugly charm. Musically, they sit in a line that connects The Stooges, Birthday Party tension, dance-punk rhythm, and Scandinavian punk grit, but the saxophone and Sebastian Murphy's voice make the identity immediately recognizable. Their history is one of turning crude jokes, repetition, and bodily groove into a surprisingly durable form of art-punk pressure, where humor and disgust sharpen the rhythm rather than softening it and give every groove teeth.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.