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Let You Go (2024)
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The Bestiary (2025)
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One Day Closer to the End of the World (2019)
05/11 @ WorkPlay Theatre, Birmingham
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Halo (2017)
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65 bands found
Départe are an Australian black and post-metal band formed in Hobart, Tasmania around 2011 under the name ØRANNIS. They shed their black metal orthodoxy as the lineup expanded, incorporating death metal, post-metal, drone, and doom into a sound described as emotive and hypnotic. Their debut demo MMXIV (2014) and full-length Failure, Subside (2016) on Season of Mist brought them to wider attention, and they have shared stages with Gorguts, Ulcerate, and Portal.
Enterprise Earth are a Spokane, Washington deathcore band formed in 2014 by Dan Watson and BJ Sampson, later evolving through major lineup changes into one of the genre's more technically ambitious modern acts. Early releases placed the band firmly in heavy deathcore territory, with guttural vocals, rapid-fire drums, breakdowns, and science-fiction or cosmic horror imagery. Albums such as Patient 0, Embodiment, Luciferous, The Chosen, and Death: An Anthology show a group increasingly interested in progressive structure, death metal musicianship, and melodic contrast without abandoning the physical impact expected from deathcore. The departure of original members did not erase the identity; instead, guitarist Gabe Mangold and later vocalist Travis Worland helped steer the band toward a more expansive version of extremity. Enterprise Earth's songs can be technical and theatrical, but they usually return to a core of punishing riffs and bleak atmosphere. Their lyrics and concepts often circle transformation, mortality, spiritual conflict, and vast destructive forces, giving the music a cinematic scale. Enterprise Earth matter because they show deathcore's ability to grow beyond a breakdown formula while still preserving its most immediate appeal: overwhelming force, precision, and the promise of collapse.
Eternal play old-school death metal with the grime, swing, and riff memory that made the style feel dangerous before it became overly polished. Forsaken Memories introduced a raw melodic-thrash edge, while Faceless Evil moved the band closer to a classic death metal vocabulary: guttural vocals, grinding guitar tone, and songs that balance speed with corpse-heavy groove. Cryptic Lust is the clearest statement of that approach, pulling from late-eighties and early-nineties Florida and Swedish death metal without sounding like a museum piece. Emilio Ortega's vocals and guitar work give the songs a rotten, commanding presence, with Sofie Nabboud's guitars, Xander Bridge's drumming, and Rob Wolfe's bass locking into arrangements that move between thrash attack, doomier stomps, and serrated leads. Tracks such as "Cryptic Lust," "Thorns of Regret," and "Conjuring the Void" show a band more interested in memorable riffs than technical clutter. Eternal's sound is filthy but readable, brutal but not flat, and driven by the sense that every tempo change should make the next riff hit harder.
Los Angeles' Fear Factory were industrial metal visionaries who merged machine-gun precision riffing with Burton C. Bell's groundbreaking clean/harsh vocal dichotomy, creating a template that countless bands would follow. 'Demanufacture' and 'Obsolete' remain towering achievements in the fusion of extreme metal and industrial electronics, their dystopian sci-fi themes proving eerily prescient decades later.
FesterDecay formed in Fukuoka, Japan in 2015 with a declared mission to revive the early Carcass goregrind template, citing Reek of Putrefaction, Dead Infection, and Pharmacist as primary influences. Their debut album Reality Rotten to the Core (2023) on Everlasting Spew Records delivered relentlessly rotten death metal riffing and guttural vocals, and the band subsequently signed to Relapse Records to record a follow-up. The compilation From Demo to Rot (2024) collected their earliest recordings and a live set, documenting the progression from raw basement goregrind to a more structured studio sound.
Flesh Parade have been grinding away in New Orleans' extreme music scene since 1990, delivering a savage fusion of grindcore and death metal in a city better known for sludge. Their Relapse Records release 'Kill Whitey' established them as one of the few grindcore acts to emerge from the Crescent City's swampy musical ecosystem. After setbacks including Hurricane Katrina, the band persevered through decades of underground dedication to their craft.
Fleshcrawl formed in Illertissen, Bavaria, Germany in 1987 under the name Morgöth before adopting their current name in 1991 to avoid confusion with the American band of the same name. Signed to Black Mark Production, they debuted with Descend into the Absurd (1992) and released a steady stream of albums across two decades, including Bloodsoul (1996), As Blood Rains from the Sky... We Walk the Path of Endless Fire (2000) — recorded at Studio Fredman in Gothenburg — and the Metal Blade release Soulskinner (2002). After a lengthy pause, the band returned with Into the Catacombs of Flesh (2019), continuing their Scandinavian-influenced death metal approach.
Full of Hell formed in Ocean City, Maryland in 2009 — taking their name from an Entombed song — under vocalist Dylan Walker, guitarist Spencer Hazard, and drummer Dave Bland, initially working in a hardcore and powerviolence framework before absorbing death metal, noise, and experimental elements over successive releases. Their catalog includes six studio albums, from Roots of Earth Are Consuming My Home (2011) through Coagulated Bliss (2024), alongside notable collaborative records with Japanese noise artist Merzbow, sludge outfit the Body, and doom act Primitive Man. Their 2017 album Trumpeting Ecstasy, released on Profound Lore, is widely considered a high point of contemporary extreme metal's intersection with noise and grindcore.
Fuming Mouth formed in Milford, Massachusetts in 2013 and play a muscular old-school death metal style filtered through hardcore aggression, releasing their debut full-length The Grand Descent (2019) on Triple B Records before signing to Nuclear Blast for the EP Beyond the Tomb (2020). The second album Last Day of Sun (2023) was informed in part by vocalist and guitarist Mark Whelan's battle with leukemia, lending the record's crushing death metal framework a particularly urgent personal resonance. The band has toured alongside The Black Dahlia Murder, Frozen Soul, and August Burns Red.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.