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3 bands found
Canberra, ACT, AU · 2008–present · active
Hands Like Houses formed in Canberra in 2008 and became one of Australia's most successful post-hardcore exports by pairing atmospheric guitar work with Trenton Woodley's soaring, clean vocal style. Ground Dweller introduced a band rooted in the Rise Records era but less dependent on harsh vocals than many peers, using intricate arrangements and widescreen choruses to create lift. Unimagine refined that approach with songs like "Introduced Species," "A Tale of Outer Suburbia," and "No Parallels," while Dissonants pushed the guitars heavier and more direct on tracks such as "I Am" and "Colourblind." Later releases including -Anon., the self-titled EP, and new-era material moved closer to alternative rock, but the band's post-hardcore foundation remained audible in the dynamics and rhythmic urgency. Hands Like Houses fit the accepted scope through their scene history, guitar-driven intensity, and connection to heavier touring circuits. Their strongest work is defined by motion rather than brute force: layered guitars, dramatic vocal arcs, and choruses that feel like open air after dense verses. The band made technical polish and emotional release feel naturally linked.
Dayton, OH, US · 2001–present · active
Hawthorne Heights became unlikely emo icons from Dayton, Ohio, with their 2004 debut 'The Silence in Black and White' producing the inescapable hit 'Ohio Is for Lovers.' The band's blend of screamo intensity and pop-punk accessibility, featuring JT Woodruff's dual clean-and-screamed vocal approach, defined the mid-2000s emo movement for millions of fans. Despite personal tragedies including the death of guitarist Casey Calvert, the band has persevered, continuing to release music and tour with the resilience their loyal fanbase mirrors.
Lansing, MI, US · 2014–present · active
Hot Mulligan are a Lansing, Michigan band whose music sits at the loud intersection of emo, pop punk, Midwest emo, and post-hardcore. Formed in 2014, the group grew from basement-show roots into one of the defining modern acts in emotionally charged guitar music, with releases such as Pilot, you'll be fine, Why Would I Watch, and later work sharpening their combination of tangled riffs, strained vocals, and self-aware humor. Their songs often feel messy in feeling but precise in construction: guitars twist around each other, drums push with nervous momentum, and Nathan Sanville's voice gives the music a cracked urgency that fits lyrics about grief, insecurity, family, memory, and growing up badly. Hot Mulligan fit punk scope through pop punk and post-hardcore, even when their vocabulary overlaps heavily with emo. They favor velocity, cathartic choruses, and live-room release over soft introspection. What separates them from many revival-era peers is how naturally they balance jokes, pain, and technical guitar movement. The band can sound frantic, funny, wounded, and direct within the same song, which has made their music resonate far beyond a single scene category.

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