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Divine (2024)
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Agamemnon (2025)
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Sunset on the Golden Age (2017)
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163 bands found
Emerging from the ashes of The Chariot's sister bands in the early 2000s Solid State Records scene, Douglasville, Georgia's Norma Jean have been one of metalcore's most consistently experimental and uncompromising acts for two decades. Albums like 'Bless the Martyr and Kiss the Child' and 'O' God, the Aftermath' helped define the chaotic, mathcore-influenced end of the metalcore spectrum, while later works like 'Polar Similar' showed their evolution into atmospheric, textured heaviness. Cory Brandan Putman's unhinged vocal approach and the band's refusal to repeat themselves have made them a touchstone of creative heavy music.
Northlane helped define a sleek, progressive branch of metalcore built on low-tuned precision, atmospheric electronics, and rhythmic discipline. Discoveries and Singularity established the band's early identity through djent-shaped guitar patterns, philosophical themes, and breakdowns that favored momentum over blunt repetition. Marcus Bridge's arrival changed the emotional range of the group, first on Node and then more fully on Mesmer, where clean melodies and spacious production began to sit beside the technical weight. Alien marked the sharpest transformation: Bridge's lyrics turned inward, the guitars became more industrial and percussive, and songs such as "Bloodline," "4D," and "Talking Heads" used nu metal, EDM, and metalcore elements as one tense language. Obsidian continued that self-produced, electronic-heavy direction, while Mirror's Edge kept the band in motion with collaborations and compact, high-impact writing. Northlane's appeal comes from contrast. Their songs can feel mechanical and cold, then suddenly human and wounded; a synth pulse can open into a massive riff, and a clean hook can land inside a violent groove without sounding pasted on.
Not Enough Space are an Orlando, Florida heavy band whose music blends metalcore, post-hardcore, alternative metal, and modern melodic heaviness. Emerging in the 2020s, the group built attention through singles, videos, and a sound that balances harsh vocals, clean hooks, atmospheric production, and breakdown-driven guitar work. They fit metal scope directly through metalcore, with enough post-hardcore melody and alternative rock accessibility to reach listeners beyond the strict heavy scene. The band's arrangements often use contrast as their main weapon: verses can be tense and screamed, choruses open into melodic release, and breakdowns bring the songs back into physical impact. That dynamic places Not Enough Space within the current wave of female-fronted and mixed-vocal heavy acts that draw from Spiritbox-era production, nu metal texture, and classic metalcore structure without copying any one source too closely. Lyrically, the songs often lean into isolation, conflict, emotional damage, and resilience, themes that match the band's name and sonic atmosphere. Their appeal is immediate because the songs are polished but still heavy enough for a live pit. Not Enough Space sound like a young modern metalcore band focused on hooks, intensity, and identity.
Novelists, often styled as Novelists FR, formed in Paris in 2013 around brothers Amael and Florestan Durand and quickly became a notable French name in progressive metalcore. Souvenirs introduced the band's combination of technical guitar work, djent rhythm, and emotional melody, with songs that balanced intricate riffing against open, atmospheric choruses. Noir and C'est La Vie expanded that sound, often leaning into jazzier guitar phrasing and a more elegant sense of motion than many metalcore peers. Deja Vu and later material brought lineup changes and a different vocal identity, including the arrival of Camille Contreras, which shifted the band's texture without erasing the technical foundation. Novelists fit metalcore scope directly through their riff language, harsh vocals, breakdowns, and scene placement, but their identity depends on fluidity. The guitars often feel expressive rather than purely percussive, and the best songs let melodic detail move through heavy structures instead of sitting above them. Novelists are strongest when the musicianship feels emotional, not ornamental, making precision serve atmosphere, tension, and release.
Ocean Sleeper are an Australian metalcore band from Gippsland, Victoria, formed in 2016. Their early singles and the Six Feet Down EP introduced a group working from the melodic side of modern metalcore: clean choruses, screamed peaks, low-tuned guitars, and lyrics that turn personal crisis into direct, cathartic hooks. Don't Leave Me This Way and later songs broadened the sound with more post-hardcore atmosphere, sharper production, and a willingness to use pop structure without losing breakdown force. Tracks such as "Killing Me," "Never the One," "Forever Sinking," and "Lonely Love" show how the band balances heaviness and accessibility, often letting bright vocal lines sit over guitar parts that still carry weight. Ocean Sleeper's regional history matters because they are not a capital-city industry project; the band's identity grew from an Australian heavy scene where touring, local community, and streaming reach all intersect. Their best work feels emotionally immediate, with enough metalcore punch for heavy rooms and enough melody to make the songs linger after the final breakdown.
OCEANS is an Austrian modern metal and post-metal band based in Vienna, formed around 2017 and signed to Nuclear Blast Records. Their debut The Sun and the Cold (2020) established a sound blending metalcore heaviness with atmospheric post-metal textures, followed by Hell Is Where the Heart Is (2022) and Happy (2024), each expanding the band's emotional and sonic range. OCEANS draw from both European metalcore and the introspective tendencies of post-metal to craft a distinctive hybrid sound.
Of Legends is a Texas-based metalcore and extreme metal project associated with Luis Dubuc of The Secret Handshake, formed around 2010. Their debut Stranded featured drum contributions from Travis Orbin of Periphery and Sky Eats Airplane, earning early notice from figures including Ben Weinman of The Dillinger Escape Plan. The project occupies an aggressive space within modern metalcore, leaning toward heavier and more technically demanding territory than Dubuc's other work.
Of Mice & Men is a metalcore and post-hardcore band formed in Costa Mesa, California in 2009 by vocalist Austin Carlile and bassist Jaxin Hall following Carlile's departure from Attack Attack!. The band built a significant following through a string of Razor & Tie releases including The Flood (2011) and Restoring Force (2014), the latter of which charted in the Billboard Top 10. Carlile departed in 2016 due to a long-term health condition, and the band has continued releasing albums under varying lineups, with nine studio albums total through 2025.
Of Mice and Men formed in Costa Mesa, California, in 2009 after Austin Carlile's departure from Attack Attack!, with Carlile and Jaxin Hall launching the band during the peak of the late-2000s metalcore and post-hardcore wave. Their 2010 self-titled debut introduced a volatile sound built on screamed vocals, clean melodic hooks, sharp breakdowns, and emotionally charged lyrics, with "Second & Sebring" becoming an early signature song. The Flood followed in 2011 and strengthened the band's position in modern metalcore, while Restoring Force in 2014 expanded the sound toward alternative metal and nu-metal-influenced groove without abandoning heavy riffs. After major lineup changes, bassist Aaron Pauley moved into the lead vocal role, and the band continued through albums such as Defy, Earthandsky, Echo, Tether, and Another Miracle. The current lineup of Pauley, Valentino Arteaga, Phil Manansala, and Alan Ashby has leaned into a heavier but more streamlined version of the band's identity. Of Mice and Men's catalog traces a path from scene-era metalcore intensity to a broader modern metal sound built around resilience, melody, and rhythmic weight.
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