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Divine (2024)
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Agamemnon (2025)
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Featured Power Metal Album
Sunset on the Golden Age (2017)
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Browse World Metal Bands
163 bands found
Ukrainian progressive metal band JINJER gained worldwide attention when vocalist Tatiana Shmayluk's viral live performance of 'Pisces' revealed her ability to shift seamlessly between ethereal clean singing and guttural death metal growls. Formed in Donetsk in 2009, the band was displaced by the conflict in eastern Ukraine but continued to evolve their sound through albums like 'King of Everything' and 'Wallflowers,' which blend groove metal, progressive rock, and djent. Shmayluk's vocal versatility and the band's resilience in the face of adversity have made JINJER one of metal's most compelling stories.
Kill The Lights formed in 2019 as a Welsh-American heavy metal and metalcore group led by musicians with deep histories in modern heavy music. Former Bullet for My Valentine drummer Michael "Moose" Thomas began the project after wanting to return to a heavier, more organic style, bringing together players connected to bands including Throw The Fight, Still Remains, Threat Signal, Glamour of the Kill, and later Bullet for My Valentine bassist Jason James. The band debuted with "The Faceless," introducing a sound built on sharp riffing, double-kick drive, melodic choruses, and a clear affection for mid-2000s metalcore and classic heavy metal. Their first album, The Sinner, arrived in 2020 and established the group's mix of aggression and accessible hooks. Death Melodies followed in 2024, expanding the guitar work, vocal range, and darker melodic atmosphere. Kill The Lights stands apart through experienced musicianship: the songs are compact and hook-conscious, but the arrangements keep a strong metal focus through fast leads, breakdowns, and muscular rhythm-section work.
Killswitch Engage are the band that brought metalcore to the mainstream, forming in Westfield, Massachusetts in 1999 and essentially codifying the genre's blueprint of melodic singing over crushing breakdowns. Albums 'Alive or Just Breathing' and 'The End of Heartache' are canonical metalcore records, with both vocalist eras (Jesse Leach and Howard Jones) producing essential material. Their cover of Dio's 'Holy Diver' became an unlikely hit, and their influence on every metalcore band that followed is beyond calculation.
Kingdom Collapse is a San Antonio hard rock band built around vocalist Jonathan Norris and bassist Aaron Smith, whose long friendship became the core of the group. Formed in the 2010s, the band developed a modern, hook-driven sound that blends hard rock's large choruses with the weight and urgency of metalcore. Early releases such as Common Ground and War Inside helped the group establish itself through touring and a steady independent work ethic, while later singles pushed the band toward a wider national rock audience. Songs including "Uprise," "Unbreakable," "Save Me From Myself," and "Break Free" became central to their identity, using polished production, heavy guitars, and emotionally direct lyrics about grief, resilience, trauma, and survival. Kingdom Collapse's rise has been tied closely to live work, with the band sharing stages with prominent contemporary rock and metal acts and building a fanbase through constant travel. By the mid-2020s, the group had moved from regional Texas hard rock into a broader modern rock lane without losing the personal, cathartic tone at the center of its songs.
Kingdom of Giants make modern metalcore that favors motion, atmosphere, and emotional scale as much as blunt force. Earlier albums such as Every Wave of Sound, Ground Culture, and All the Hell You've Got to Spare established a foundation of screamed vocals, melodic guitar lines, and post-hardcore urgency, while Passenger refined the band into a more spacious and cinematic version of itself. Dana Willax's harsh vocals give the songs their pressure point, but the clean hooks, electronic programming, and open guitar passages are just as important to the identity. Their writing often feels like a series of forward pushes: tight verses, glowing synth textures, wide choruses, and sudden breakdowns that pull the songs back to the floor. The heavier sections are measured rather than chaotic, leaving room for atmosphere to build before impact. Kingdom of Giants fit into the same modern metalcore lane as bands that treat ambience and melody as structural pieces, not decoration. Their best work turns conflict into movement, using contrast to make both the melodic peaks and the breakdowns feel earned.
Marseille's LANDMVRKS have become one of France's most explosive metalcore exports, blending ferocious breakdowns with massive clean-vocal choruses that rival arena rock hooks. Their albums 'Fantasy' and 'Lost in the Waves' demonstrate a knack for crafting anthemic, emotionally charged metalcore that connects across language barriers. Frontman Florent Salfati's seamless shifts between guttural screams and soaring melodies give the band a dynamic range few in the genre can match.
Columbus, Ohio's Like Moths To Flames deliver aggressive, hook-driven metalcore anchored by Chris Roetter's fierce vocal delivery and the band's razor-sharp guitar work. Since their 2010 formation from the ashes of several Ohio hardcore bands, they've released a steady stream of albums on Rise Records that balance vicious breakdowns with memorable melodic passages. Tracks like 'You Won't Be Missed' and 'Nowhere Left To Sink' showcase their ability to channel fury into catchy, purposeful songwriting.
Long Goodbye are a Durham County metalcore band whose music sits in the harsher edge of current UK hardcore. Emerging with the 2024 release i used to dream of drowning, the group quickly became associated with The Coming Strife Records and a new wave of British bands that combine metallic hardcore, mathcore tension, and chaotic emotional weight. Their songs are short, violent, and tightly wound, with jagged riffs, sudden tempo changes, collapsed grooves, and vocals that sound less like performance than rupture. Long Goodbye fit metal and hardcore scope directly through metalcore and UKHC, especially in the way their music uses breakdowns, dissonance, and panic-stricken rhythm to create pressure. Tracks such as "autolisis," "cauterising incisions," and "endlessly repairing a dying format" show a band interested in discomfort as much as impact. The production keeps the sound raw enough to feel close while still letting each shift land with force. Long Goodbye's appeal is that they do not smooth out their influences. The music feels ugly, anxious, and cathartic, carrying the spirit of heavy hardcore into a more fractured, modern shape built for no-barrier rooms and violent release.
Houston's Long Live The Lights deliver energetic post-hardcore and metalcore that channels the anthemic intensity of Beartooth and Bring Me The Horizon. With polished production and an emphasis on emotional, melodic songwriting backed by heavy breakdowns, the band is establishing itself as a rising voice in the Texas heavy music scene.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.