Explore World Metal

Browse World Metal Bands

163 bands found
West Palm Beach, FL, US · 2013–present · active
Fame On Fire blend metalcore aggression with pop production, hip-hop cadences, and electronic elements from their base in West Palm Beach, Florida. Vocalist Bryan Kuzniar's ability to shift between rap-influenced verses, screamed choruses, and melodic hooks has earned the band a massive online following and viral cover versions. Their original material on 'LEVELS' and 'WELCOME TO THE CHAOS' proves they're far more than a covers band, delivering a genre-fluid sound built for the streaming era.
GB · 2008–present · active
Feed The Rhino formed in Kent, England in 2008 and built their reputation on a metalcore and hardcore sound that drew from Southern groove metal, post-grunge, and the abrasive side of 1990s alternative rock. The quintet — centered on vocalist Lee Tobin and the Colley brothers on guitars — released three albums including Mr Red Eye (2009), The Burning Sons (2012), and The Sorrow and the Sound (2014) before delivering The Silence (2018), which expanded their sonic palette considerably. The band became known for high-energy live performances and toured extensively across the UK and European festival circuit.
Worcester, MA, US · 2001–present · active
Four Year Strong helped pioneer the 'easycore' subgenre from Worcester, Massachusetts, blending pop-punk's infectious melodies with metalcore's heavy breakdowns since forming in 2001. Their albums 'Rise or Die Trying' and 'Enemy of the World' became blueprints for bands looking to merge circle-pit energy with singalong choruses. The dual vocal attack of Alan Day and Dan O'Connor, paired with surprisingly technical guitar work, gives their take on pop-punk a weight that most of their peers lack.
Denver, CO, US · 2017–present · active
Denver's Fox Lake fuse hardcore aggression with hip-hop swagger and rock and roll attitude, creating a sound born in their basement in 2017 that refuses to be categorized. Vocalist Nathan Johnson brings a confrontational intensity to the mic while the band hammers out riffs that draw equally from hardcore punk, rap-rock, and metalcore. Their releases 'Lady Luck' and 'Fear & Loathing' capture the volatile energy of a band built for the mosh pit and the block party.
Lancaster, PA, US · 2013–present · active
From Ashes To New emerged from Lancaster, Pennsylvania in 2013, blending rap-rock vocals, metalcore breakdowns, and electronic production into a sound that updates nu-metal for a new generation. Vocalist Matt Brandyberry's rapped verses against Danny Case's screamed choruses create a dynamic tension that drives albums like 'Day One' and 'Panic.' Their genre-hopping approach appeals to fans of Linkin Park and Hollywood Undead while maintaining enough heaviness to satisfy metalcore purists.
NJ, US · 1994–present · active
Fury of Five formed in Asbury Park, New Jersey in 1994 and were a significant act in the development of metallic hardcore and beatdown in the northeastern United States, touring extensively with Madball, Earth Crisis, and Fear Factory through the mid-to-late 1990s. Their debut No Reason to Smile (1996) was followed by two Victory Records releases, At War with the World (1998) and This Time It's Personal (2000), both of which cemented the band's reputation in the hardcore and metalcore underground. After more than two decades without new material, the band returned with the five-song EP Half Past Revenge in 2023.
Layton, UT, US · 2008–present · active
Get Scared formed in Layton, Utah in 2008, carving a niche in the post-hardcore scene with horror-themed imagery and a sound that oscillates between gothic rock atmospherics and explosive metalcore aggression. Vocalist Nick Matthews brought a theatrical darkness to albums like 'Demons' and 'Dgd,' channeling the eerie side of the Warped Tour scene. Their willingness to embrace macabre themes and cinematic production set them apart from their more straightforward post-hardcore contemporaries.
Copenhagen, DK · 2012–present · active
Ghost Iris are a Copenhagen progressive metalcore band whose music combines djent precision, melodic choruses, and modern metal aggression. Formed in 2012, the group emerged from Denmark's heavy scene with Anecdotes of Science and Soul before Blind World, Apple of Discord, Comatose, and later work developed a more international sound. Their songs often move between tightly syncopated riffs, sharp breakdowns, atmospheric guitar layers, and vocals that shift from clean hooks to harsh, rhythmically locked attacks. Ghost Iris fit metal scope directly through metalcore, progressive metalcore, and djent, with an emphasis on technical control rather than loose heaviness. The band has a clear sense of modern production: drums are precise, guitars are percussive, and low-end movement gives the songs a mechanical drive. Yet the melodic parts keep the music from becoming purely clinical. Their best tracks use contrast to widen the impact, letting airy choruses rise out of dense riff patterns before snapping back into weight. Ghost Iris represent a Scandinavian strain of contemporary metalcore that is polished, heavy, and built around both atmosphere and rhythmic discipline.
Tuscaloosa, AL, US · 2008–present · active
Gideon have steadily changed from a melodic, faith-rooted metalcore act into a heavier, meaner band built on groove, confrontation, and hard-earned self-definition. Early releases such as Costs, Milestone, and Calloused carried the urgency of touring metalcore and melodic hardcore, with Daniel McWhorter's shouted vocals framed by fast rhythms, gang-ready refrains, and breakdowns written for impact. Cold marked a darker turn, and Out of Control pushed the band toward a rougher blend of hardcore swagger, nu-metal bounce, and Southern rock attitude. More Power. More Pain. made that shift feel fully intentional, focusing on thick chugs, hostile vocal phrasing, blunt lyrics, and beatdown-ready pacing. The band still uses metalcore structure, but the presentation is less polished than many of their peers: riffs feel dustier, hooks are barked more than sung, and the songs often sound like they were built from resentment, exhaustion, and stubborn momentum. Gideon's evolution is important to the music itself. Instead of treating heaviness as a costume, they have let each era strip the band closer to a raw, groove-driven identity.

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