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Divine (2024)
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Agamemnon (2025)
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Featured Power Metal Album
Sunset on the Golden Age (2017)
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Browse World Metal Bands
163 bands found
Formed in Winston-Salem, North Carolina in 2001, Glass Casket drew attention as much for their membership as their music, featuring Between the Buried and Me's Dustie Waring and Blake Richardson alongside vocalist Adam Cody. Their 2004 debut We Are Gathered Here Today on Abacus Recordings established them as a technically accomplished deathcore band, followed by Desperate Man's Diary in 2006 before the project went dormant. After years of inactivity, the band signed to Silent Pendulum Records in 2023 and released a self-titled EP, their first new material in seventeen years.
GORE. build metalcore around emotional exposure as much as impact. Led by Haley Roughton with guitarist Alex Reyes and bassist Devin, the band arrived with A Bud That Never Blooms, an EP that frames femininity, family strain, grief, and self-denial through crushing riffs and unusually theatrical melodic turns. "Pray," "Babylon," and "Heaven Is Above Me" show how the project shifts from detuned low-end pressure to fragile clean vocals, choral atmosphere, and sudden breakdowns without making those contrasts feel pasted together. Roughton's voice is central: she can sound wounded, confrontational, devotional, or furious, often using melody to make the heavier moments hit harder. The band also pulls from nu metal, shoegaze, and post-metalcore textures, giving the songs more shadow and space than a straight breakdown-driven approach would allow. Later tracks such as "Sepsis" lean further into that dynamic range. GORE.'s strongest material feels personal before it feels polished, using heaviness to expose pain instead of simply decorating it.
Granite State is a five-piece metalcore and hardcore band from Germantown, Maryland that has been refining their crushing sound since 2018. The band flirts with metalcore, doom metal, and hardcore punk, creating something abrasive, confrontational, and dense. Their EP 'Proper Forms of Protest' showcases a band that values heaviness and honesty in equal measure.
Graphic Nature are a Kent-based nu metalcore band whose music turns psychological pressure into a dense, hostile sound. Emerging at the end of the 2010s, the group developed a style built from low-tuned riffs, industrial texture, electronic noise, screamed vocals, and breakdowns that often feel abrupt and suffocating. Their records a mind waiting to die and Who Are You When No One Is Watching? show a band focused on anxiety, trauma, dissociation, and the darker mechanics of self-perception. Songs such as "White Noise," "Killing Floor," "Into the Dark," "Sour," and "Human" connect nu metal's rhythmic bounce with the weight and precision of contemporary metalcore. Graphic Nature fit metal scope directly through heaviness, genre, and live context, while the electronic elements sharpen the sense of unease rather than softening it. Their strongest material is claustrophobic by design. The guitars hit like machinery, the vocals sound cornered, and the production leaves little air, making the band's music feel less like release than confrontation with the inside of a panic spiral.
Louisville, Kentucky's Greyhaven emerged in 2013 with a brand of chaotic, noise-infused metalcore that feels genuinely dangerous. Their albums 'Empty Black' and 'This Bright and Beautiful World' pair dissonant guitar work with frantic vocal delivery, creating a sound that's as intellectually stimulating as it is viscerally intense. The band's refusal to follow trends in favor of their own abrasive vision has earned them a devoted following among fans of adventurous heavy music.
Hanabie. are a Tokyo metalcore band formed in 2015 by high school friends, building a sound they describe as Harajuku-core from the collision of metalcore, hardcore punk, nu metal, electronicore, J-pop color, and youth-culture chaos. The lineup led by Yukina and Matsuri turned early underground momentum into international attention through releases such as Girl's Reform Manifest, Reborn Superstar!, and Bucchigiri Tokyo. Hanabie.'s music can be brutally heavy one moment and sugary, cartoon-bright, or electronically hyperactive the next, but the shifts are part of the identity rather than gimmicks. Harsh vocals, clean hooks, breakdowns, programmed textures, slap-bass flashes, and rapid genre jumps create a sense of overload that mirrors the band's visual and lyrical energy. Songs often deal with social pressure, work life, self-expression, food, playfulness, frustration, and the absurdity of modern life, making the heaviness feel both personal and wildly animated. Hanabie. matter because they bring a distinctly Japanese pop-cultural vocabulary into heavy music without softening the metalcore core. Their best songs sound like a city arcade collapsing into a mosh pit, bright enough to be playful and heavy enough to leave marks.
Indianapolis metalcore outfit Haste the Day were a driving force in the Christian metalcore movement of the 2000s, blending melodic hooks with aggressive breakdowns across albums like 'Burning Bridges' and 'Pressure the Hinges.' Their farewell show at Furnace Fest became legendary, though the band has since reunited periodically to remind fans why they were one of the scene's most beloved acts.
Headwreck are a Brisbane metalcore band that fold nu metal, electronicore, pop hooks, and alternative metal textures into a deliberately modern heavy sound. Formed around 2019 and becoming visible with the 2021 single "Freefall," the group built its identity around sharp contrasts: clean melodic lines collide with screamed passages, programmed textures sit beside low-tuned guitars, and choruses are often framed by breakdowns built for impact rather than nostalgia. Headwreck's music has the polished intensity of contemporary metalcore, but it also treats electronic production as a core instrument instead of an afterthought. That gives their songs a volatile, neon-lit quality, with glitchy details and synthetic atmosphere heightening the emotional swings. The band fits metal scope directly through metalcore and nu metalcore, especially in the way the rhythm guitars lock into percussive grooves and the vocals ride between vulnerability and aggression. Their releases have grown from early EP energy toward a more confident hybrid style, one that can sit beside heavy Australian exports while keeping a distinct digital edge. Headwreck sound like a young band shaped by streaming-era genre fluidity but still committed to riffs, hooks, and heavy release.
Heart of a Coward formed in Milton Keynes in 2009 and became a recognizable name in British metalcore by combining djent-informed precision with groove-heavy songwriting. The early Dead Sea EP and Hope and Hindrance introduced the band's low-end impact, but Severance and Deliverance pushed them into stronger territory with songs like "Hollow," "Distance," "Psychophant," "Shade," and "Mouth of Madness." Jamie Graham's era gave the band a commanding vocal identity, while later material with Kaan Tasan on The Disconnect and This Place Only Brings Death showed a group still capable of balancing punishing riffs with clean melodic release. Heart of a Coward's music is built for weight: palm-muted patterns, syncopated breakdowns, and choruses that rarely soften the mood completely. They fit metalcore scope directly through sound, scene, and touring context, but their best work also draws from groove metal's insistence on physical movement. The band's appeal is less about chaos than controlled pressure. When Heart of a Coward lock into a riff, the songs feel engineered to make a room move as one heavy machine.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.