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Divine (2024)
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Agamemnon (2025)
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Sunset on the Golden Age (2017)
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138 bands found
Therapy? formed in Larne in 1989 when Andy Cairns and Fyfe Ewing began shaping a noisy, abrasive version of rock that drew from punk, metal, industrial textures, and underground alternative music. Bassist Michael McKeegan became central to the band's early power-trio chemistry, giving the songs a thick, grinding low end beneath Cairns' tense guitar work and darkly melodic vocals. Early releases such as Babyteeth, Pleasure Death, and Nurse established a claustrophobic sound built on feedback, jagged riffs, and psychological unease. The 1994 album Troublegum brought that intensity into a sharper, more accessible form, producing some of the band's best-known songs while retaining their bleak humor and hard edges. Therapy? never settled into one narrow lane; later albums explored heavier grooves, stripped-down aggression, experimental textures, and more direct rock structures. Their longevity rests on a restless relationship with noise and melody, plus an ability to make alienation, anxiety, and frustration sound forceful rather than self-pitying.
Trash Boat formed in St Albans in 2014 and developed from a modern pop-punk band into a darker, heavier alternative-rock and post-hardcore act. Early releases such as Look Alive and Brainwork introduced a fast, melodic style indebted to skate punk and melodic hardcore, while Nothing I Write You Can Change What You've Been Through gave the band a wider audience with urgent songs, raw vocals, and direct emotional writing. Crown Shyness deepened the weight and atmosphere, pushing into grief, anger, and anxiety with a more serious sense of dynamics. Don't You Feel Amazing? and later material brought in sharper production, industrial touches, and heavier alternative textures without fully abandoning the band's punk foundation. Trash Boat fit punk and post-hardcore scope through their early sound, scene context, and continued reliance on aggressive guitar music. Their strongest work sits where melody and agitation collide. The choruses are accessible, but the delivery often feels scraped and restless, giving the band a bruised identity that separates them from lighter pop-punk peers.
Norwegian punk legends Turbonegro pioneered 'deathpunk,' a flamboyant, confrontational fusion of hardcore punk, glam rock, and arena rock that was as musically powerful as it was deliberately provocative. Albums like 'Apocalypse Dudes' and 'Ass Cobra' are revered as punk classics, blending anthemic hooks with an outrageous aesthetic that inspired a devoted following known as the Turbojugend. Their unique ability to be simultaneously hilarious, shocking, and genuinely excellent has made Turbonegro one of Scandinavia's most influential and internationally celebrated punk exports.
Baltimore's Turnstile shattered every ceiling that hardcore punk had bumped against for decades, becoming the genre's first genuine crossover act of the streaming era with their 2021 album 'Glow On,' which earned universal critical acclaim and introduced hardcore to audiences who had never moshed in their lives. Brendan Yates's magnetic vocal presence and the band's willingness to incorporate shoegaze, pop, and even bossa nova textures into their hardcore foundation created something that felt both revolutionary and deeply rooted in the genre's communal spirit. Their headlining sets at mainstream festivals and a historic performance on Jimmy Fallon proved that hardcore's energy and ethos could resonate on the biggest possible stages.
Uk Subs are one of the long-running names of first-wave British punk, formed in London in 1976 and anchored by vocalist Charlie Harper. Emerging from pub rock and rhythm-and-blues roots, the band quickly accelerated into a tougher punk sound marked by short songs, shouted choruses, and a relentless touring ethic. Their early records, including Another Kind of Blues, Brand New Age, Diminished Responsibility, and Endangered Species, helped define a rawer second phase of British punk that fed directly into street punk and hardcore. The band became known not only for songs such as "Stranglehold," "Warhead," and "Riot," but also for a discography that famously moved through alphabetically titled albums across decades. Lineups changed often, yet Harper's voice and the band's direct, high-energy approach kept the identity intact. Uk Subs' history is unusually durable: a working punk band that carried the urgency of 1977 into later eras without smoothing away its rough edges.
Finnish duo Ursus Factory pack the ferocity of a full band into just guitar and drums, channeling Led Zeppelin, the Stooges, and Prince into a high-octane garage rock assault that uses an octave pedal to fill the bass frequencies. Born from a 2013 street-musician tour across Eastern Europe, guitarist Pelkonen and drummer Aleksi Ripatti deliver theatrical, punky live shows bursting with unpredictable energy.
Vandoliers play cowpunk as a full-band collision of country storytelling, punk velocity, ska-rooted lift, and barroom rock release. Led by singer and songwriter Jenni Rose, the group came out of a musical background where Texas roots music and loud punk rooms were not separate worlds. Albums such as Ameri-Kinda, The Native, Forever, the self-titled record, and Life Behind Bars show a band steadily turning that mix into its own language: fiddle and trumpet carry melodic hooks, guitars keep the songs moving hard, and choruses are written to be shouted by a crowd that knows the bruises behind the jokes. Vandoliers are at their best when the arrangements feel messy in a human way, with boot-stomp rhythm, open-road longing, and defiant humor all sharing space. The band's country side gives the songs narrative shape, but the punk side gives them their nervous system. Even the more reflective material keeps a live-wire quality, as if every confession is one count away from becoming a sweaty, communal singalong.
Viagra Boys formed in Stockholm in 2015, drawing members from punk, hardcore, garage, and underground rock backgrounds into a band that sounds loose, abrasive, and oddly danceable. Their early EPs led into Street Worms, a debut full-length built on pulsing bass, saxophone blurts, deadpan vocal delivery, and satirical portraits of modern masculinity and self-destruction. Welfare Jazz widened the frame with country-ish detours, sleazy grooves, and sharper character studies, while Cave World pushed their post-punk toward paranoid social commentary and heavier conceptual focus. Later material kept the band's mix of absurdity and menace intact, showing how flexible the formula could be without losing its ugly charm. Musically, they sit in a line that connects The Stooges, Birthday Party tension, dance-punk rhythm, and Scandinavian punk grit, but the saxophone and Sebastian Murphy's voice make the identity immediately recognizable. Their history is one of turning crude jokes, repetition, and bodily groove into a surprisingly durable form of art-punk pressure, where humor and disgust sharpen the rhythm rather than softening it and give every groove teeth.
Winona Fighter are a Nashville punk band whose music channels garage punk snap, pop punk immediacy, and a sharp sense of personality into songs built for fast impact. Led by vocalist and multi-instrumentalist Coco Kinnon, the trio emerged from Nashville's rock scene with a sound that is noisy, melodic, and intentionally unpolished around the edges. Their releases, including the Father Figure EP and the debut album My Apologies to the Chef, show a band that writes hooks without sanding away irritation. The songs move quickly through bad relationships, self-defense, social exhaustion, anger, awkward humor, and the refusal to be made smaller by other people's expectations. Winona Fighter's strength is tone: the music is fun, but it is not empty; sarcastic, but not detached; catchy, but still rough enough to feel like a punk band sweating in a small room. The guitars bite, the drums push, and Kinnon's voice can sound conversational one second and fully lit up the next. They represent a modern strain of pop punk that does not rely on nostalgia alone. Winona Fighter make the style feel current by tying big choruses to present-tense frustration, queer-friendly energy, and live-show volatility.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.