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3168 bands found
Detroit, MI, US · 2009–present · active
The Armed are a maximalist hardcore collective whose catalog treats volume, identity, and spectacle as part of the music itself. Early releases such as These Are Lights and Untitled established a volatile mix of metallic hardcore, noise rock, blast-beat pressure, and blown-out production, while later albums pulled that chaos into stranger shapes. Only Love and ULTRAPOP made melody feel almost abrasive, packing bright hooks, digital gloss, and ecstatic choruses into songs that still moved with hardcore force. Perfect Saviors widened the frame again, bringing Tony Wolski's voice forward and folding arena-rock gestures, dance-punk angles, and polished studio craft into the band's usual sensory overload. Their later work returned to a more furious, compressed attack, sharpening the political disgust and frantic pacing behind the songs. The Armed's history is also inseparable from their self-mythology: shifting lineups, aliases, performance-art rollouts, and a long list of collaborators have made the project feel like a moving target. Under the conceptual noise, the appeal remains physical and immediate: riffs collide with electronics, drums surge past restraint, and the songs turn confusion into momentum.
Chino Hills, CA, US · 2011–present · active
Chino Hills, California's The Armiger blend stoner metal's heavy, reverberated weight with alternative metal's more melodic and dynamic sensibilities, creating a sound that's equally suited to festival stages and smoky rehearsal spaces. Formed in 2011, they represent the Southern California approach to heavy music: sun-bleached but substantial, catchy but never lightweight.
US · 2018–present · active
The Art Is Murder deliver uncompromising heaviness rooted in the deathcore and death metal traditions, channeling extreme aggression through punishing breakdowns and guttural vocals. The band brings a visceral, no-holds-barred approach to the live stage that appeals to fans of the most extreme end of modern heavy music.
Guadalajara, ES · 2014–present · active
The Art of Blasphemy from Guadalajara in Castilla-La Mancha craft black metal that treats sacrilege as an art form, channeling anti-religious fury through atmospheric compositions since 2014. Their provocative name drives a decade of hostile extremity from the Spanish meseta.
Krems an der Donau, AT · 2016–present · active
Founded in September 2013 in Krems an der Donau, The Art of Fading play modern melodic death metal and deathcore, combining driving riffs and heavy breakdowns with melodic passages. They released their debut EP "Principles" in October 2014 and have performed alongside Evergreen Terrace and I Declare War, building their name in the Central European extreme metal circuit.
Lleida, ES · 2020–present · active
The Art of Wizarding from Lleida in Catalonia channel black metal through a mystical, sorcery-themed lens since 2020. Their fantastical name frames compositions of atmospheric darkness from the Catalan interior, where ancient Iberian mysticism meets Scandinavian-influenced extremity.
Frankfurt, DE · 2012–present · active
The Article is a melodic death metal band from Frankfurt, Germany, formed in 2012. They deliver melodic death metal with harmonic guitar work from the Hessian capital.
Budapest, HU · 2013–present · active
The Ascension is a death metal band from Budapest, Hungary, formed in 2013. They deliver powerful, driving death metal with a focus on aggressive songwriting and dynamic arrangements.
Anderson, IN, US · 1996–present · active
The Ataris began in Anderson, Indiana in 1996 as Kris Roe's vehicle for emotionally direct punk rock, eventually becoming one of the more recognizable names in late-1990s and early-2000s pop punk. Anywhere but Here and Blue Skies, Broken Hearts...Next 12 Exits established the early sound: fast tempos, earnest vocals, and lyrics shaped by distance, regret, travel, and romantic memory. End Is Forever kept the melodic punk core intact, while So Long, Astoria gave the band its biggest moment through polished songwriting, "In This Diary," and a widely heard cover of "The Boys of Summer." Welcome the Night later moved into darker, more spacious alternative rock, showing Roe's willingness to stretch beyond scene expectations. The Ataris' music belongs in the punk and emo scope because its emotional language is guitar-driven and immediate, even when the production becomes more expansive. Across many lineup changes, the constant has been Roe's writing voice: nostalgic, wounded, road-worn, and committed to the idea that a loud chorus can preserve a feeling before it disappears completely.

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World Metal Index indexes hundreds of World heavy metal bands across every subgenre — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, grindcore, sludge, stoner metal, and more. Browse heavy metal bands by genre, city, or state.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.