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Makiivka's Voids Dweller delivers raw black metal from the Donetsk region, embracing lo-fi production and primitive recording techniques as essential elements of their aesthetic. Their uncompromising approach strips the genre to its most hostile, atmospheric core.
Voids of Vomit is a death metal band from Brescia, Italy, active since 2008. They play aggressive, filthy death metal from the Lombardy underground.
Bryan, Texas's Voidslime have been at it since 2017, building a catalog rooted in psychedelic doom metal — slow, narcotic riffs dissolving into lysergic haze before recongealing into something crushingly heavy. The psychedelic element isn't decorative; it fundamentally warps the doom formula, introducing detours into droning, meditative passages that make the eventual heaviness land harder. One of the more distinctive voices in the Texas heavy underground.
Voidspire emerges from Oslo's fertile extreme metal scene with an atmospheric take on death metal that emphasizes texture and mood alongside crushing heaviness. Their layered approach incorporates ambient passages within a framework of guttural aggression and intricate riffing.
Voidstalker is a nihilistic black metal project from Carinthia, Austria, formed in 2018 and rooted in old-school black metal aesthetics. Their releases include a limited-edition split cassette with Plaguepreacher, recorded at Sounddelusion Studio, with only 100 hand-numbered copies pressed worldwide.
Boise's Voidstrider have been carving out a heavy/stoner metal niche since 2019 that also pulls freely from psychedelic rock — warm fuzz tones, riff-forward songwriting, and a loose cosmic swagger that keeps the music from feeling purely riff-mechanical. The heavy metal backbone gives their material more structure than most stoner acts, while the psychedelic rock influence keeps it from going fully headbanger. Idaho isn't overrun with bands doing this well.
Seattle's Voidthrone have been active since 2016 in the black/death metal space, drawing on the Pacific Northwest's rich tradition of extreme underground music while avoiding its more atmospheric tendencies. Their sound prioritizes aggression over ambiance — a raw, war-metal-adjacent intensity that treats melody as a secondary concern to punishment. A decade into Seattle's post-grunge recovery, they're proof the city's underground still has venom.
Madison, Wisconsin's Voidwalker formed in 2020 and work in post-black metal — a genre built on the tension between black metal's harshness and a more expansive, emotionally open approach to composition. There's a shoegaze-adjacent quality to how they layer tremolo and texture, where the aggression serves a larger atmospheric purpose rather than existing as an end in itself. They're doing the genre's work with sincerity and without the irony that sometimes dilutes it.
This Pennsylvania Voidwalker operates in the slow, funereal intersection of doom and death metal — music that moves like cold tar and carries the same melancholic weight as the best work in that tradition. Formed in 2020, their doom/death approach leans into desolation rather than pure heaviness, using the death metal elements to add menace to the grief rather than overwhelm it. A different project sharing a name with their Madison counterparts, but operating in a fully distinct emotional register.
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World Metal Index indexes hundreds of World heavy metal bands across every subgenre — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, grindcore, sludge, stoner metal, and more. Browse heavy metal bands by genre, city, or state.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.