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Masters of Morbidity (2022)
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No Grave But The Sea (Deluxe Edition) (2017)
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Everything's Wrong (2018)
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40 bands found
Impermanent are a London extreme metal band whose early material presents a brutally direct blend of slam, death metal, and hardcore. The project surfaced with Forging Eternity, a short but punishing release that favors dense riffs, guttural vocals, breakdown pressure, and a production style built to make each hit land with physical weight. Tracks such as "Mass Psychogenic Illness," "Spiralisation," "Defilement of Self," and "Corporal Immortality" move between churning death metal and hardcore-derived impact, keeping the arrangements compact while still leaving room for abrupt rhythmic shifts. The band's sound is not ornate or atmospheric in the traditional sense; it is focused on compression, force, and the ugly momentum of heavy music stripped down to its most violent impulses. Impermanent's identity is still in its earliest public phase, but the first release already establishes a clear direction: low-tuned death metal with slam brutality, hardcore pacing, and a cold, clinical sense of heaviness. The result is music built for listeners who want death metal's extremity and hardcore's immediacy in the same body.
Lorna Shore erupted from the New Jersey deathcore underground into global phenomenon status with the arrival of vocalist Will Ramos, whose inhuman vocal range spans guttural lows to piercing highs that broke the internet via their 2021 single 'To the Hellfire.' Their 2022 album 'Pain Remains' transcended deathcore conventions with symphonic grandeur, culminating in the devastating 15-minute closing trilogy. Lorna Shore have become arguably the biggest band in modern extreme metal, selling out arenas worldwide.
Perth, Australia's Make Them Suffer have undergone one of metalcore's most dramatic sonic evolutions, moving from the orchestral deathcore of their 2012 debut 'Lord of Woe' through the atmospheric metalcore of 'Worlds Apart' and into the darkly melodic territory of 'How to Survive a Funeral.' Keyboardist Booka Nile's haunting contributions and Sean Harmanis's versatile vocal approach give the band a unique identity within a crowded genre. Their willingness to reinvent their sound with each album has kept them at the forefront of Australian heavy music.
Oceano was a deathcore band from Cook County, Illinois, formed in 2006, signing to Earache Records and releasing their debut Depths in 2009. Over six studio albums including Contagion (2010), Ascendants (2015), and Revelation (2017) on Sumerian Records, the band maintained a consistent presence in the American deathcore scene anchored by the long-tenured vocal work of Adam Warren. Their final studio album Living Chaos appeared in 2024.
Organectomy formed in Christchurch, New Zealand in 2010 and became one of the country's leading brutal death metal and slam exports. At the Mercy of the Divine introduced the band to underground listeners, while Domain of the Wretched and Existential Disconnect placed them more firmly in the international Unique Leader Records orbit. Nail Below Nail and later material such as Tracheal Hanging and Corpsethrone show the core approach in increasingly controlled form: guttural vocals, downtuned guitar punishment, blasting sections, sudden half-time slams, and a production style designed to make the low end feel surgical rather than muddy. Organectomy's music is intentionally physical and extreme, but it is not random; the best songs use slam's stop-start violence, brutal death metal's density, and deathcore's breakdown awareness to create a disciplined sense of impact. Their New Zealand origin also matters because they helped put a geographically distant scene into global brutal-death circulation. Organectomy's appeal is blunt force executed with precision, where every riff seems engineered to drop the floor out from under the listener.
Las Vegas deathcore force Ov Sulfur was forged in 2020 by vocalist Ricky Hoover as a vehicle for his return to extreme music after personal turmoil during the pandemic. The band's symphonic deathcore assault, driven by fiercely anti-religious lyrical themes, earned them a deal with Century Media Records and features from Tim Lambesis of As I Lay Dying on their debut EP 'Oblivion.' Their 2026 album 'Endless' continues to push their brand of orchestral extremity into increasingly ambitious territory.
Zurich's Paleface Swiss have become one of Europe's most devastating deathcore acts, with vocalist Marc Zollinger's throat-shredding lows and the band's crushing, groove-heavy breakdowns earning them a fearsome reputation across the global heavy scene. Their sound blends the brutality of downtempo deathcore with beatdown hardcore's pit-ready aggression, creating music designed to level venues. Albums like 'Fear & Dagger' showcase a band at the peak of modern extremity, equally at home headlining festivals and destroying underground shows.
Oklahoma City's PeelingFlesh bring a wildly unique flavor to slamming brutal death metal by lacing their bone-crushing grooves with hip-hop samples and Blaxploitation film clips, creating what they call 'Slamming Gangster Groove.' Signed to Unique Leader Records, the band's releases like 'The G Code' and 'Human Pudding' deliver technically proficient slam death metal with an irreverent, street-savvy attitude that sets them apart from the genre's typically humorless extremity. Vocalist Damonteal Harris's guttural delivery over the band's lurching, groove-heavy riffs has made them one of slam's most distinctive rising acts.
Pintglass are a Guildford-based UK hardcore metal band whose self-described geeza-core turns beatdown heaviness, deathcore weight, and construction-site comedy into a deliberately over-the-top identity. Emerging around 2019 with Way of the Geeza, the project built a following by pairing absurd British working-class caricature with genuinely punishing riffs, bass drops, guttural vocals, and mosh-part breakdowns. The joke works because the music is not flimsy. Pintglass can be blunt, low, and ugly in the way beatdown hardcore is meant to be, using gang shouts and exaggerated banter as part of the impact rather than a separate novelty. Releases such as Blood, Sweat, and Stella and later material lean into that combination of humor and violence, making the band feel like a parody that accidentally became a real live threat. They fit accepted scope through metallic hardcore, beatdown hardcore, and deathcore. Pintglass are not subtle, but subtlety is not the point. Their music is about bounce, crowd reaction, comic aggression, and the release that comes from exaggerating every hardcase stereotype until it becomes communal theatre. Under the high-vis masks and chants, the riffs still do the work.
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World Metal Index is an index of World heavy metal bands — death metal, black metal, thrash metal, doom metal, metalcore, hardcore punk, and all heavy music. Browse bands by genre, find metal concerts near you, and discover the World metal scene.